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I've been thinking a lot about Anacortes and what it's like to be here, though I'm not trying to get people to move here - I would hate that.
If [a woman] insisted on becoming an architect, I would try to dissuade her. If then, she was still determined, I would give her my blessing – she could be that exceptional one.
I can't play piano like I used to either. I used to have bass rolling like thunder. I can't do that no more. But I ask the Lord, please forgive me for the stuff I done trying to make a nickel.
I've so much left to explore, it's enormously exciting to me. It's a passion. I just try and get better at what I do, and I study it very hard, like it is my life degree.
When I say right, it just has to be well thought out. I feel like I'm on a pretty good roll, and it can't be me trying to force what might be perceived to be next.
I'm just trying to find some secret places in the human brain because I think movies tend to be too rational sometimes. Everything is supposed to make sense. Everything is supposed to be logical.
If you're trying to drop ten pages from a screenplay, it hurts like hell, but if you just put it away for a month and then take it out, you can do it just like that!
[Answering the question 'If you had caused the end of the world, what would you do?'] I would try to fix it. I would go to bed on time and brush my teeth.
I'm worried about looking like a bad person when, in fact, I try to be a good person. I don't like the public image that I've been dressed with and it worries me.
The dance goes from realizing that you're separate (which is the awakening) to then trying to find your way back into the totality of which you are not only a part, but which you are.
I'm not trying to be noble. I'm afraid. And the idea of having more love than I've ever had-- and knowing I might never have it again-- that scares me worse than anything.
The children never connect me with the man onstage when I come out the stage door. The parents spend all their time trying to convince them that I'm Caractacus.
I was trying to develop a notion of "non-dialectical negativity" as part of a concept of extinction that would transform the understanding of death and time elaborated in phenomenology.
I like to think that even with some of the more intense ones sometimes there is humour in there, you try to make a complete human being, whether the guy is good or bad.
I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
It's in trying to direct the traffic between Artiface [sic] and Candor, without being run over, that I'm confronted with the questions about photography that matter most to me.
We are trying to enable anyone in the world to be their own educational DJ, creating educational materials, sharing them with the world, constantly innovating on them.
At the population level, making the world more just and less unequal, while trying to figure out the toxic aspects of the urban environmental will probably help prevent a lot of psychosis.
We learned to build our emotional muscles, helping us make it through major market falls and grind through the trying times without losing our equilibrium.