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When a colleague of mine had a notable New York Times book, I said, turn one of the chapters in the collection into a pitch for a novel and sell it to your publisher.
I like stories about people. I like things that are human and different. I want to be as engaged in my work as I am in reading a book. I want to be electrified by the films I do.
My books have three W's on them, which are "words," "wisdom," and "wonder." Words inevitably lead to wisdom, and wisdom inevitably leads to wonder and awe at this phenomenal world around us.
That earns him a smack with my book bag. "Ow." He clutches his arm. "What do you have in there? Books?" A grin snakes across his face. "I like my women feisty." He adds, "I like my broken.
I always want readers to lose themselves completely in a story and feel something, whatever the book invites them to feel. That experience is the best takeaway any book can offer.
My mother says that some books are good no matter when you read them, and some are good at a particular moment; they come into your life at just the right time.
There's an outline for each of the books that I adhere to pretty closely, but I'm not averse to taking it in a new direction, as long as I can get it back to where I need it to go.
Every book has got its challenges. You run into a plot point that you can't figure out, or a scene that you struggle to write and have to write 50 times.
I just wanted to compile these stories about growing up with my father and I wanted people to be able to enjoy them individually, but also the entire book as a whole.
My mom was there, in some form, in some sense, in some universe. My mom was still my mom, even if she only lived in books and door locks and the smell of fried tomatoes and old paper. She lived.
I wanted to find a place to hide from all of it, where the nightmares and the rivers and reality couldn't find me. For me, that place was always inside a book.
Here’s the million-dollar question: how are you going to write this book if you’re afraid to start writing? Give your friend Doubt a name, and then block his calls.
I'm more interested than Philip Roth in understanding women, even if I do it imperfectly. But that book, Portnoy's Complaint, is literary punk in this way that is rare.