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I think when people hear about a celebrity writing a book of any kind, the assumption is that it was dictated to a ghostwriter.
I'm never, I hope, stupid enough to believe that Twitter or blogging or any of this stuff is a substitute for actually doing the work or writing a book.
I loved writing a book in which, in some ways, it's very, very classical, and in some ways I'm breaking lots of rules about what you can do and what you can't do.
In this day and age, where you have a lot of comic book movies made every day, and most of them are really good boys, it's important to have a couple bad boys out there, too.
The Book of Revelation, difficult as it may be for "literalists," becomes much simpler when we read it typologically, as a mosiac of allusions to Old Testament prophecy.
My thought is, if you're a book lover, you're going to enjoy winning a book even if it's not something you'd ordinarily pick up on your own. It's a chance to expand your horizons a little.
Sometimes I would get frustrated, I'd think, "You know, this is a good book, how come no one is paying attention to it?" So it's nice to have some recognition.
I hate picking favourite books. I usually tend to stay away from all the 'top record' and 'favourite song' and 'favourite book', and I just think it doesn't do any good for anybody.
The R.I.P.D. picture is like a graphic novel, I guess. I don't know if it's like a typical kind of comic book. But there is great source material for those kinds of films.
I read the 'Deadpool' series back in the '90s. I'm not, like, a huge comic book reader, per say, though. I'll check out 'Archie' when I'm in the grocery line, but that's about it.
When I'm writing a book, sentence by sentence, I'm not thinking theoretically. I'm just trying to work out the story from inside the characters I've got.
I think people direct good films when they feel personal to them, not because it's a famous book or something. It has to something move over that and somehow become personal to the director.
I fancy mankind may come, in time, to write all aphoristically, except in narrative; grow weary of preparation, and connection, and illustration, and all those arts by which a big book is made.
That's all you have to ask from yourself writing a book. That it's the best you can do and that you did it without any ego involved and that you did it for somebody else. That's the best you can do.
Whatever kind of story you're telling, whether it's a genre piece for a comic book or whatever it is, it has importance because it's all a metaphor for the existence of our being.
I personally love books that make me think, so I naturally gravitate toward writing a book like that, one that's going to make someone think and make me think.