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We need to regain the art of civil discourse and more practically, I don't think you change anyone's mind by calling them names.
Every generation seems to have its members who think the world has gone to hell and a hand basket and that they need to explain a challenging world to their kids.
I think that communism was a major force for violence for more than 100 years, because it was built into its ideology - that progress comes through class struggle, often violent.
I think after everything in the whole process of filmmaking, temp scores are great if you use them for what they're good for, if you use them for that early stage of support for things.
We were just hanging out and getting to learn about each other. But I think trust was a really big thing. Patti [Smith] is a good friend, somebody I can talk to.
I think a lot of young women are probably fearful or embarrassed or cautious or hiding whatever their particular sexuality might be. From the most odd to the just slightly abberrant.
I can make a movie about Lee Harvey Oswald and make you feel what he feels and make you understand why he believes what he believes. That doesn't mean I think you should go out and shoot JFK.
I want to form a political party that's based entirely on what music people listen to. To me, it's a much better barometer of what they think and feel than their political stance.
There's a technical reason why I think that frame rate is weird and it has to with your brain's ability to scan beyond a certain rate. The point is I find it looks weird.
I think about art a lot only in two contexts. One is narrative... The other thing that I'm interested in, which is tangential, but not unrelated... All art to me is about problem solving.
I've found through experience that I'm only good when I'm writing something that, in essence, only I could write. The times I've written for hire, for other people, I don't think I've done very well.
I think the feeling that we're going to work together again usually starts to come up before the first project's even done. The Black Keys and I have already talked about starting on something new.
You can't change who you are, so I think that the only thing you can do is just never talk to people about stuff and then hope that maybe does something.
I was afraid of small spaces and I was afraid of the tree outside my window, and I had all these phobias. I think many kids have those phobias, but I probably had more than most.
I always think if it's a good story, the audience can't wait to run out of the theater and go tweet somebody with the gist of a story, in a nutshell, almost, because it was that interesting.
I don't do the running commentary as the movie's playing. I think you should be able to watch the movie without listening to me talk while the movies playing.
Through song you learn, and I think school systems need to learn that. Through the rhythm you can learn better, through melody, with something you need to learn, it's a vehicle for it.
I think if you were to really peek under the hood of what got Aerosmith back again for our second life in the Eighties, you'll find out that it's exactly this, it's the willingness to take a risk.
You think your congressman is working all day to get you a job? He may want to. He or she is probably not a bad person. They probably want to do the right thing. But they can't.
You know how it is when you go to be the subject of a psychology experiment and nobody else shows up and you think maybe that's part of the experiment? I'm like that all the time.
The basic rules of life would indicate that it can't last forever, and we'll fall off of the wave and have to climb onto another, but I don't think about it too much. We just keep moving.