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I think women love glamour. I mean, not all women, but I think this is something that women share.
I think that the audience wants to see women being put into real situations where they can relate to them, rather than seeing some glamorous woman in a 'Bond' film.
What my work is, is my approach to it. It's the practice. And my work is about the effort that I make to get there. And I think if there's anything artistic, it's in that middle space.
Now learning a bit more about footballers I think what they need to do well, is someone who really wants to stay in the background and just be a strong support.
To wait - only to wait - without even the final merciful deprivation of hope.Sometimes I think that some secret court must have tried and condemned me, unheard, to this heavy sentence.
Similarly, I think I'm lucky that I've never had a crisis about whether the only reason I'm successful is because I'm crazy hot. It's not something that crosses my mind.
It would be difficult to determine whether the age is growing better or worse; for I think our plays are growing like sermons, and our sermons like plays.
I think books in which people are really happy and things are going well are probably the most challenging novels there are to write, and there are very few of them.
I think the last couple of years of life for many, many people are the same as they were 50, 60, 70 years ago. They could be really tough because of infirmity.
These are my words; this is their world, a world in which we can wear our gender on our sleeves, unabashedly, as we go about the business of thinking out loud.
And I don't have to listen to a sermon to know what to think or feel about them. It's almost as if I absorbed completely what mattered most to me, and the rest could go.
I think one of the hardest things about doing a book in the first person is that to a certain extent each day, when you begin to do your work, you're climbing into somebody else's skin.
Frankly, I'm mainly telling the story to myself. Thinking about audience is too daunting, and worst case, invites you to homogenize, to soften the hard edges of things.
There's no right or wrong - I think people can be messy in a very soulful way. The point in the end is to make people feel something, and there's so many different ways to do that.
You should always have a pencil skirt. I think knees are the ugliest part of anybody's anatomy, so I'd look for ones that hit at the knee or right below.
I think when you look at architectural photography it doesn't help to have piles of old clothes lying on the floor. Architectural photography sets up an artifice.
I think in the long run, it will be better for us if we solve our problems without suffering through some terrible disaster. I like the idea of change without Apocalypse.
We look at a person and see the person we want to see. I've had to deal with that my whole life, walking in a room and girls thinking I'm going to steal their boyfriends!