Annabelle Selldorf Quotes

I was brought up to reuse things.

So much of what makes a room great is how you enter and circulate through it, how it addresses the body.

When you have rules to abide by, does that curtail you as a designer, or set you free? People think of classical architecture visually, but I think the brilliant part of it is actually spatial.

All clients think that they are architects.

Tension is an interesting quality - and architecture must have it. There should be elements of the inexplicable, the mysterious, and the poetic in something that is perfectly rational.

The secret of good architecture is having more than meets the eye.

I make spaces that are calm rather than confrontational. I seek a certain kind of logic that allows you to move in space and perceive it as beautiful and rational. Clarity is a worthwhile quality.

One of the things I've always loved about New York is there is so much precedent for ornament on industrial buildings.

What I do isn't radical. It's just distinct in small ways.

When everything is perfectly orderly and understandable, there has to be one thing that puts everything into question.

I'm inspired by looking at art, by looking at precedent. Looking is what you have to do if you want to make things, so you develop a critical eye.

To me, the nicest luxury would be to have a room where I could keep all my books in one place - and have space for more.

I think when you look at architectural photography it doesn't help to have piles of old clothes lying on the floor. Architectural photography sets up an artifice.

I never like things that don't look nice. It's really that simple.

I remember, as a young architect, people always talked about I. M. Pei's concrete. He had a particular specification no one else knew.