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Genre fiction, as Terry Pratchett has pointed out, is a stew. You take stuff out of the pot, you put stuff back. The stew bubbles on.
I was always trying to pick guys up. I'd ask guys out and stuff like that. I had no pride. I was the biggest lurch at dances, waiting for the ladies' choice. I'd lunge at my prey like a baby wolf.
I've been putting together the story with Rob and putting all the details of it together and looking at all the various designs they have for the toys and stuff, it's pretty exciting.
There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone.
One of my groupies gave me a film that they made, and it ended up being amazing, so I got it shown at South by Southwest. If I can help get their stuff out there, then great.
No matter what the situation, winning takes care of a lot of stuff. Things are never perfect, even when you win. But it does make for a lot better environment, for sure.
I got to trumpet, finally. That's why I love to write for brass, and [Count] Basie and [Frank] Sinatra and all that stuff, 'cause that's just like part of my DNA.
I don't come from a musical family and didn't go to Julliard or anything, but I had this kind of vision of stuff that was so powerful that I just needed to find it. I have no regrets.
Our label is very digital-friendly. We try to provide some free stuff to get interest in the band, but we have to pay our artists. They have to get paid.
Acting is a very strange industry in that it flows in these weird ways, I'll be so busy for 6 months and then nothing for a couple months, so it's hard for me to focus and stuff.
Even when it comes to writing fiction, how do you encompass all this stuff that's right on the tip of your tongue? You have to fold that into what you're working on.
We all just really love teen movies and teen music and I've just always been fixated on that, so I'm just kind of immature about that kind of stuff still.
I'm never, I hope, stupid enough to believe that Twitter or blogging or any of this stuff is a substitute for actually doing the work or writing a book.
What Rare [albom] allows me to do is gonna show people other things that I'm capable of 'cause they really haven't heard a lot of things outside of the rap stuff that I do.
Sometimes I try to figure out why I always push things to talk about the really dark stuff in interviews, and I just think it's healing - for the listener, and for the guest.
I've made a career making stuff that nobody sees, so anything that I can do to help make something that people are going to enjoy and want to see over and over again, then I'm there.
That's where humour lives for me. In the body. The Steve Martin kind of stuff or Jim Carrey, that's what I like. I've always felt that's what I would like to do.
I just say what I think is the funniest thing I could say. I'm not trying to make headlines. I'm just trying to say the stuff that I think is funny and will make people laugh.
I co-taught a seminar called Small Group Processes with my professor. I learned so much from it, so much about myself, about groups, how this stuff works. I bring all that stuff to teaching now.
[Swiss Armi Man] was a super joyful film to go make. I mean, there was stuff that was, like, totally bananas. But it was kind of par for the course every day with that stuff.
Performing is one thing, and day-to-day stuff - like the way you talk to people - is totally different. If I acted like I did onstage in normal life, everyone would probably hate me.
I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.