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I'm interested in stories. I think I'm a bit of a pathfinder.
Within our whole universe the story only has the authority to answer that cry of heart of its characters, that one cry of heart of each of them: "Who am I?"
Looking back, I'm proud of what I've been able to do, grateful for the fact that I really have very few, if almost zero, nightmare stories of being on sets and working with the wrong people.
If you find that a point cannot be made without narration, it is virtually certain that the point is unimportant to the story (which is to say, to the audience).
They were written on cheap blue notebooks bought by poor women. I'm interested in folk tales in the way that medicine and magic in women's stories are all kind of combined.
I used to have trust with reporters. Give them scoops. Those were the old days. It's very strange, when you give a story and it doesn't come out the right way.
The stories of wine lords who trade wine on intimidation or food critics who trade free meals for reviews those are the stories of my life. I am telling the stories of my life in a true way.
I wish someone had told me that my stories are really mine to tell. In other words, anything that I think is important or that has moved me has the ability to move somebody else.
But you will be hard-pressed to find more than a few novels, films, news stories, and TV shows that dare to depict life as a gift whose purpose is to enrich the human soul.
I don't ignore continuity, and try my best to stick as closely to the current status quo as possible, but it's not my primary concern when I start a story.
The most powerful decision-making part of the audience is women. Boys have a lot of impact on the industry, but it's often women who impact what stories get made.
Revolution is like a love story. When you are in love, you become a much better person. And when you are in revolution, you become a much better person.
I like exploring both the light parts and the dark parts of a single person. And all of those shades tend to come out most acutely in stories about families.