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I tend to tell stories that have a lot of momentum; it's not like 'and then months later...' I like things where the momentum of one action rolls into the next one so everything is the sum of that.
The goal is always about the next story. It's always about the thing I haven't done before. It's about learning, or it's about becoming better, and it's about whatever story grabs hold of me.
All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
I think of a myth as a story that helps you explain all the different pieces of your life. In that broad sense, there is no way to live without mythology.
Take it that you have died today, and your life's story is ended; and henceforward regard what future time may be given you as uncovenanted surplus, and live it out in harmony with nature.
Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.
There are two kinds of people in this world. Those who want to know the facts, and those who want to make up a nice story to feel better. I wish I was the kind who made up stories.
Stories are like relics, part of an undiscovered preexisting world. The writer's job is to use the tools in his or her toolbox to get as much of each one out of the ground intact as possible.
A good story remains a good story, whether it is on glossy paper or a mobile phone display, is carved into marble tablets or appears as a Bild headline.
But there's one thing I'm sure about. An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.
Humanity's legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences.
For listening to the stories of others ... is a kind of water that breaks the fever of our isolation. If we listen closely enough, we are soothed into remembering our common name.
So now it is time to disassemble the parts of the jigsaw puzzle or to piece another one together, for I find that, having come to the end of my story, my life is just beginning.
Money is the driving force of Hand to Mouth, the lack of money, and all those true stories about strange things in The Red Notebook, coincidences and unlikely events, surprise, the unexpected.
I came up with new leads for game stories by being observant and clever, by using the many gifts of the English language to intrigue and hook a reader.
'9 to 5,' that little song, that little story, just won't ever end. Just like 'I Will Always Love You,' it just keeps comin' back, popping up its head in one way or another.