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The point of acting is to pretend you're someone else and sell a story.
Very young children love and demand stories, and can understand complex matters presented as stories, when their powers of comprehending general concepts, paradigms, are almost nonexistent.
For people on social assistance, the loss of free dental care, prescription drugs and subsidized housing can greatly outweigh additional income from working. We've all heard the stories.
I remember, May 1944: I was 15-and-a-half, and I was thrown into a haunted universe where the story of the human adventure seemed to swing irrevocably between horror and malediction.
I'm not great at bedtime stories. Bedtime stories are supposed to put the kid to sleep. My kid gets riled up and then my wife has to come in and go, 'All right! Get out of the room.'
I don't know why I told this story. I could just as well have told another. Perhaps some other time I'll be able to tell another. Living souls, you will see how alike they are.
I tell stories through dance, and I think that's why I'm so attracted to the theatre because even the choreography in theatre moves the plot forward at all times.
Creation stories had never been regarded as historically accurate; their purpose was therapeutic. But once you start reading Genesis as scientifically valid, you have bad science and bad religion.
If you don't have a sensation of apprehension when you set out to find a story and a swagger when you sit down to write it, you are in the wrong business.
The thing is, emotion - if it's visibly felt by the writer - will go through all the processes it takes to publish a story and still hit the reader right in the gut. But you have to really mean it.
Jesus almost never talked in terms of explaining. He was always using enigmatic stories and difficult metaphors. He was always pulling people into some kind of participation.
At Home in the World is the story of a young woman, raised in some difficult circumstances, and how she survives. It tells a story of redemption, not victimhood.
Because technically actors are just public servants really. They just tell stories because people need to be told stories. That's all it is. And yet we get treated as though we're important.
It all goes back, of course, to Adam and Eve - a story which shows among other things, that if you make a woman out of a man, you are bound to get into trouble.
It's about stories. If I can tell the story to America, whether it's Riesling or a boxer from Harlem, it will sell. I know on my gravestone it's going to be, 'Storyteller.'
People who are upset about something ruminate on it whenever they get a chance; they are constantly drawn back to their own unhappy tale as if it were a horror story left open on a table.