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Whether one show one's self a man of genius in science or compose a song, the only point is, whether the thought, the discovery, the deed, is living and can live on.
In truth we know by experience that song has great force and vigour to move and inflame the hearts of men to invoke and praise God with a more vehement and ardent zeal.
In mid-wood silence, thus, how sweet to be; Where all the noises, that on peace intrude, Come from the chittering cricket, bird, and bee, Whose songs have charms to sweeten solitude.
I went to see 'Listen to My Heart: The Songs of David Friedman.' I have been a fan of his music for years, and I was invited to opening night because I know one of the producers.
So I learnt a few country western songs, I bought a chord book, and right away I started writing my own stuff, which nobody else did that, I don't know why.
Sweeter than any sungMy songs that found no tongue;Nobler than any factMy wish that failed of act.Others shall sing the song,Others shall right the wrong,-Finish what I begin,And all I fail of win.
O fret not after knowledge - I have none, and yet my song comes native with the warmth. O fret not after knowledge - I have none, and yet the Evening listens.
The main focus for me is not trying to find duet partners. It's about just making great songs. I want most of my album to be in my voice, because it's my point of view.
When I write, I don't really focus on duets or anything like that, or whether I'm going to feature this or that rapper. I just focus on just making a great song and figure out the rest later.
That's the evergreen nature of a great song. They can be resurrected. They can be covered. They can find new relevance due to changing circumstances in history.
Music business is hard. It's very difficult. And it's not for everyone. Even if you can sing or even if you can write a song, it takes a lot of determination, it takes some kind of thick skin.
I started being me about the songs, not writing objectively, but subjectively. I think it was Dylan who helped me realize that - not by any discussion or anything, but by hearing his work.
I felt an obligation even then to write a song that people would sing in the pub or on a demonstration. That is why I would like to compose songs for the revolution.
Today's folk song is rock and roll. Although it happened to emanate from America, that's not really important in the end because we wrote our own music and that changed everything.
Most of the songs came from Europe and Africa and now they were coming back to us. Many of [Bob] Dylan's best songs came from Scotland, Ireland or England. It was a sort of cultural exchange.
I've been asked over the years to compile a list of desert-island discs. I couldn't do that. If I was trapped on a desert island, I don't think I'd want 10 songs to bring with me.