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I said, baby, do you have no shame? She just looked at me, uncomprehendingly, like cows at a passing train.
Between each album I try to gain a new insight that I didn't have before and perhaps write a song about something that I've written about before, but from a fresh viewpoint.
I'd listen to all the stuff that was going on around me and drift off into my fantasies about it. My fantasies have fuelled all the songs I've ever written.
A song doesn't just come on. I've always had to tease it out, squeeze it out. 'No thesaurus can give you those words, no rhyming dictionary. They must happen out of you.
I do not think men have more talent. There are a great many women in the arts; novelists, painters, sculptors, poets-but the proportion is far lower in the field of song writing.
The songwriter mustn't fall in love with his own song. If it doesn't belong, he can't push it into a show. Let him save it; maybe it'll fit in another show.
I just write songs, I make music, and I have several times over reinvented my life in order to keep making music and just make music all day. I don't know. It's just what I have to do.
I just have a thing in my brain that when I'm about to do something that's genuine or authentic, I think of it in song form. I'll be like, 'Yo, this is a human emotion that no one talks about.'
I think Shazam is one of the coolest inventions on the planet, and whether I was in a thrift store or in my car, every other week I was Shazaming another Best Coast song.
Mo Yan is a writer who, defiantly in the face of those who wish his work were less cartoonish and more straightforward in its political meanings, continues to sing his own peculiar and alluring song.
With a pop album you can listen to one or two songs from it, but a music album is really an experience. It's not something a whole lot of rock bands do.
A great song for me is when I hear it and it's contagious. The lyrics and the melody, if grows on you once and you want to hear it over and over again.
One of my favorite things is when I'm listening to a song and I find my own meaning in it that I can relate to and I can create my own relationship and bond with the song.
I would say, you can never do enough gigs and you can never do enough songs. Make sure that every opportunity you can, play a show and every opportunity you can, write a song.
This is my seventh decade... and every once in a while I get a hankering to re-visit these songs again... songs with which I have had a great relationship.
There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.