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We are rich in the quantity of songs rather than in the quality. The singer has to go through hundreds of compositions before he finds one that really says something.
Music critics think of lyrics first and don't consider melody but so many songs are lyrically depressing but musically great, and that's why they become classics.
I think I prefer for the listener to decide for themselves what stuff means, because I always hate it when I think a song is about a horse, and then it turns out to be about a damn trip to France.
I've definitely done my share of tripping over monitors, etc. but nothing could compare to the time when I totally forgot the beginning of a song that I was starting on stage.
The great thing about a song is that no one has to know your story. But if you tell it in a way that has clarity and means something to somebody else, then it can apply to their story.
To me, it's all about the song. Songs are what make me excited. You hear a great song and you want to record it or get a great idea and you want to write it.
If some event happens and it seems really important to me and moving to me, I'll write it down in my lyric book knowing that it will come out in a song.
I create little challenges for myself, like, 'Okay, whatever you do in this song, you've got to somehow work in Greek Cypriots,' or something like that.
If you take a little time, let's say three weeks off, after recording a song, and you listen to it every other day, you're just going to know eventually.
The music that I write is often not necessarily full of doom and gloom. You'll notice in most of the darkest songs, the music is actually pretty peaceful and lulling.
We're really into combining lots of different styles into one song: that's normal for us. It might seem arbitrary but we listen to a lot of music that does that.
With Kevin [Drew], as I said, in his own way just told me "You gotta find that person that talks to you in your songs." I think we succeeded. I feel relief, to be quite honest with you.
I love whenever they downgrade a hurricane to a tropical depression, because I always think of a tropical depression as how I feel three songs into a Jimmy Buffett concert.
I listen to my iPod as I walk on. If I'm winning I'll listen to the same song, that's like a good luck thing - usually The Black Eyed Peas' Let's Get It Started.
I mean, playing music at home and writing and hanging out with my guitar is kind of medicinal for me, but when I bring the songs to people on stage, it's very joyous.
He went in, lean and deadly, and ended the creature with a lightning-fast spike of his blade. It shrieked, likely altering the rest. The death call carried like a mournful song.
When I began writing, it was a cosmic thing: Inspiration! Wham! Short spurts of time when I felt out of touch with reality, temporarily insane and the result: a song!