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It's so interesting to me how songs take on a shape and body of their own and grow.
It seems to me that those songs that have been any good, I have nothing much to do with the writing of them. The words have just crawled down my sleeve and come out on the page.
The song that's affected me the most profoundly is probably Michael Jackson's 'Thriller,' or, more specifically, the couple seconds of instrumental break before Vincent Price starts 'rapping.'
The reason I don't play any of the old songs is because I really honor my old band, and I think that those songs are best served within the context of that band.
I wanna be the smile you put on your face. I wanna be your hands when you say your grace. I wanna be whatever is your favorite place, oh I just wanna be close
Greg Trooper writes great songs, including one of my very favorite songs in the world, Little Sister. On top of all that, there's his voice - an instrument I have coveted for 15 years.
So we're considering doing a new Christmas album, because there's been Christmas episodes since then, and maybe finally do the version of 'The Most Offensive Song Ever' with lyrics intact.
A long time ago, I made the commitment to dedicate at least one song per album to God. He has been very good to me, and never for one minute do I want Him to think I've forgotten, because I haven't.
I don't play an instrument - I just write in my head, and I usually hear fully formed songs. 'We Are Young' turned out so much like it was in my head. But it also exceeded all my expectations.
I wish myself to be a prop, if anything, for my songs. I want to be the vehicle for my songs. I would like to colour the material with as much visual expression as is necessary for that song.
Writing songs has always been hard and easy. It's not always easy when you want it to be, and then sometimes it's just like turning on the faucet. That's just the nature of it.
I do not think that you can be changing the end of a song or a story like that, as though it were quite separate from the rest. I think the end of a story is part of it from the beginning.
I knew Bobby Dylan back in the days when he lived in the village. He used to come and see me and sing songs for me, saying they ought to go into my next collected book on American folk music.
Not every song I write is ecstasy. And it can happen only one time. After that, when you sing the same melody and words, it's pleasure, but you don't get wiped out.
I think I was perceived in one fashion. A video is based on a song. I think you can get glimpses of people's presence within that. There's some people you enjoy watching more than others.
I enjoy incorporating different elements of music that I enjoy listening into my songs. I want to give what feels good to me while never compromising my message, which is Jesus is my Lord and Savior.
Every one of the songs was based around picking an acoustic guitar. That was part of the concept from the beginning, that the tempos were going to go from slow to almost mid-tempo.
I did a couple songs with this hip-hop guy named Tim Dark. He was working in the same studio I've been working in, he heard my music and he said, aw man, I've got to do something with you.