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With the backdrop of The Salvation Army's century and a half of service to the world's poor, these songs and reflections are born of meaningful engagement with a living Gospel
But what do I care, for love will be over so soon, Let my heart have its say and my mind stand idly by, For my mind is proud and strong enough to be silent, It is my heart that makes my songs, not I.
There's so much more you can do with the dynamics of songs when they're simple... I think it was what I needed in my life - there was a lot going on, a lot of layers.
But for now, I just sat there on the bed and listened to my song. The one that had been written for me by a man who knew me not at all, now sung by the one who knew me best.
Chimes?" Phyllis asked. "Chimes to call a lover? Chimes with the voice of a bird trapped in them? Chimes that play you whatever song you most desire to hear?" "No thanks," said Nick. "We've got MTV.
In terms of covers, it's always nice to do ones that aren't actually getting played by the original artist anymore. I just love the song; I love that band, and it's nice to be able to play it.
You don't have to come from Trinidad to really love Harry Belafonte, you don't have to come from the West Coast to appreciate the simplicity and the beauty of the songs Kurt Cobain wrote.
If a song is funny and absurd, and it sounds great, it's just going to be that much funnier. And there's no better example of that than 'Monty Python.'
As for me, I rarely write a song. But when I do write a song, like "Ain't No Chimneys in the Projects," which came to me at three a.m. one morning, on a whim - I get a percentage.
My mom used to ask me when I was gonna write a happy song. I still tell her that it's when I start to write really happy-sounding songs that everyone needs to start worrying.
I have yet to have a successful outcome of sitting in a room with someone and trying to write a song. The way that I generally co-write is that someone else writes the music or part of the music.
The world has changed a lot since I started making records.I used to go into a studio and there were songs there, chosen for me to see if I liked them. I wasn't encouraged to write.
I never sing a song more than twice because my fear of waning excitement for a piece is part of my troubles. I so rely on vibe, energy and emotions that the technical part occurs to me last.
I have my songs ready in my head, gather the guys, play it and then let them go with it. [The music] finds its way, we do what the music says to do......the song is the producer.
Imagery is the most important to me when singing stories. I try to paint pictures with the words and decorate with little to no singing....let the song do the work.