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Sometimes the stories are smarter than me, and suddenly these things start to make sense.
Sometimes in the life of an actor you're not getting offered any jobs that speak to you. The trouble with acting is that you're only as good as your opportunities.
Sometimes you have trouble because someone 'likes' your music so much. They follow you around for hours singing little bits of the songs, or just freaking out.
Sometimes it is harder to deprive oneself of a pain than of a pleasure and the memory so possessed him that for the moment there was nothing to do but to pretend.
Germans try to categorize films: in a comedy, you just laugh and in a drama, you're not allowed to laugh. I don't believe in that, sometimes we laugh and cry in the same hour.
There's so much stuff going on behind the cameras. Sometimes people think these things are done certain ways and when you watch that you see how hard and down and dirty it was.
Maybe because I'm a child of the 80's, but for me a sequel is a story that follows the previous one, and sometimes if you haven't seen the original then you don't understand the second one.
Sometimes fear made you angry. Perhaps after years anger cooled, like a sword taken from a forge. Perhaps in the end you were left with something very cold and very sharp.
Push something in someone’s face, and they will shove it away reflexively. Threaten to snatch it away from them, and sometimes they become convinced that it is what they want.
Would I describe myself as new Labour? I'm Labour, organised Labour. I think labels have a limited use and that's where you really get into boy stuff sometimes, just sticking on labels.
I am not for any form of repression, but I sometimes think the desire for liberation masks the desire for oblivion. It's very hard to tell the difference sometimes.
The process of finding an actor is always difficult and there's always so many variables that come into play. Also, actors sometimes carry baggage, fans associate actors with certain parts.
I know that sometimes you have to reason with yourself and say, "This is just TV" or "This is just a movie," but I think also as an actor it's your job to find it so very important.
Clemency, which we make a virtue of, proceeds sometimes from vanity, sometimes from indolence, often from fear, and almost always from a mixture of all three.