Scene Quotes

A lot of lines in movies were written, but I'm always improvising. Once you get into the scene, it just comes to me.

Why would you hand the keys to the car back to the same guys whose policies drove the economy into the ditch and then walked away from the scene of the accident?

No rising hope on the political scene who offered his services to Labour when I happened to be its leader can be dismissed as an opportunist.

What really concerns me is for Christians to understand the fundamentals of evangelism in a way that is helpful in the contemporary scene.

I remember when people said, "Man, that's a powerful scene in the movie!" and I was like, "We just shot this thing before lunch, I don't know, he tears a log apart, I said some words".

This is the place. Stand still, my steed,- Let me review the scene, And summon from the shadowy past The forms that once have been.

I tell my child, if I seem obsessed to always know where you've been, it is because my DNA will be found at the scene.

You got to get used to somebody, when you're acting or going through a scene, somebody yelling, "Do it a little louder!" OK, you do it a little louder.

Now, what sort of person would write a scene where a young man stumbles upon a castle full only of beautiful young women? Answer: ME!

I do well to interpret scripts to the best of my ability so even if I'm given a monster to play a love scene with, I will.

The actor needs to find out what the basic fight is in every character in every scene.

I thank Henry James for the scene in the hotel room, that I stole from Portrait Of A Lady… This particular scene is the most beautiful scene ever written.

If you don't like the scene you're in, if you're unhappy, if you're lonely, if you don't feel that things are happening, change your scene. Paint a new backdrop.

I've worked hard and accomplished what I've accomplished in the heavyweight scene.

Veteran performers are dying off, and new acts simply aren't emerging on the national scene.

The narration, in fact, doubles the drama with a commentary without which no mise en scene would be possible.

Just call me a family man and an actor who digs his whole scene, side interests and all. Just say I feel mighty good at the ripe old age of 27.

When you're doing a play and you're afraid of a scene, that's the scene you should embrace, because that's the scene that will tell you something about the play.

England occupies a warm spot in my affections. It was the scene of my greatest performance. I was born there.

When we're awake, cortisol can fragment memories - one reason eyewitness crime scene accounts are so unreliable. But at night that very fragmentation allows creative recombinations of ideas.

I remember one time that I was filming a scene in whych my character rides through Troy on a chariot. I just looked around at this incredible set thinking 'This is the life'.

The person viewing your work has no idea what the scene really looked like, nor do they care.

The scene was not a happy one yet we looked upon it in the cold stoical spirit of a soldier; a slight chilling pang and then a return soul and body to the enemy before us.

I believe I'm doing the right thing in trying to step away from that and to take chances and work on little independent films and do stuff like that wild dance scene.

If there's a gun on the wall in act one, scene one, you must fire the gun by act three, scene two. If you fire a gun in act three, scene two, you must see the gun on the wall in act one, scene one.

When the sun sets beautifully, other beauties rise. Nature is a theatre; when one great player leaves the scene, another great player immediately enters. The play always continues excellently.

In comics, the writer is also the director in a certain way. So if this were a film, you wouldn't tell the cinematographer to make a good fight scene while you go and get a cup of coffee.

In that long sequence, when Lawrence enters in the desert to rescue a lost man, Lean listened the music I wrote and wanted to extend the scene to let my work stay completely.

I try to use all of my senses when describing a setting, and try to think of everything that would impact a character in any given scene.

The scene where I took my eyelashes off we did in two takes.

Love scenes, if genuine, are indescribable; for to those who have enacted them the most elaborate description seems tame, and to those who have not, the simplest picture seems overdone.

Acting with creatures that aren't there is kind like acting with an actor who refuses to come out of his trailer. You still have to go on and do the scene.

The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed

A lot of these "reality shows" do a lot of producing scenes and producing things and drama and all that but we did the deal contingent that we wouldn't do that.

The Godfather has, maybe, one good scene.

Try drawing or painting a scene you're working on. Often this will help free up you imagination.

England is so defined, the class system, your education. I think what was unique about the Canterbury scene.

The New York fashion scene is crazy, madness, but I love the energy.

The average Englishman has no idea of the dynamism in the music scene here.

I never know when the seeds are being laid, I'm just like, "Wow, that's a pretty cool scene. Is that? Are we laying seeds here?"

I remember times when the whole music scene was just flourishing.

The only man who could make a love scene comfortable was Clark Gable. He was born graceful, he knew what to do with his feet and when he took hold of you, there was no fooling around.

To say that George Lucas cannot write a love scene is an understatement; greeting cards have expressed more passion.

Hong Kong is a nice playground for my street pieces as the architecture is very different from my home city. It's also a great opportunity to take place in a dynamic city of the global art scene.

When we were doing a scene, lots of times we would collapse giggling because it seemed so silly because it felt like we were doing a home movie at times.

What I particularly liked was that, coming from California and not being involved in the New York scene, I developed my personal way, in my own way, at my own pace.

She is such a scene-stealer. She's got these lashes and big eyes, and when she walks on to the set everybody just says "ooh."

This profusion of eccentricities, this dream in masonry and living rock is not a drop scene in a theatre, but a city in the world of reality.

I don't despair about the cultural scene in Australia because there isn't one to despair about.

Movies have to handle time very efficiently. They're about stringing scenes together in the present. Novels aren't necessarily about that.