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I've learned after doing a couple records that if it feels good and it's easy, then that's usually a good sign. And that feeling sorta went with us to Nashville - everything was just natural.
I was a snot-nosed teenage skater at one point, who listened to only punk records and hung around people that had that idea of what is okay to do and what isn't okay to do.
I was buying old records a lot in my early teenage years and I was mostly drawn toward the artwork even more than the band itself. I loved the way the art set the scene for the music.
It's not so much a philosophy as much as it is a pace. We need to be personally involved with every aspect of the records including the artwork, we want everything to have a similar aesthetic.
I definitely didn't have a lot of money. I had been fired from a record store. I was just trying to get by. I was on unemployment. I didn't have anything going full-time.
There are people who've prepared their whole lives for real heavy success and bask in it. They're so good at it and they obviously love it. I'm just happy to be making a record.
The years keep going by and you realize, Wow. Doing these records is such a process: going on tour for a year and a half, then you get home and you want to do other things.
We started with Denny Cordell, and he was a great record producer. He knew exactly how to take a band that knew absolutely nothing, and guide you without trying to tell you what to do.
We definitely didn't want it to be anything like our first or second records. We wanted to experiment more than we ever had and take any new idea and run with it as far as we could.
At about the age of ten, my friends and I discovered the joys of sitting in graveyards drinking merrydown cider and kissing and stealing our elder siblings' records.
Playing Etta James in the movie 'Cadillac Records' really changed me. It was a darker character, and I realized that if anything is too comfortable, I want to run from it. It's no fun being safe.
I think when I listen to old records, it puts me back in the atmosphere of what it felt like to make the record and who was there and what the room looked like. It's more a sensory memory.
Today the kids that are out now they make a hit record and they put them right out on the stage with 10,000 people out there and they don't know anything about the business yet.