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I feel like I partly came to writing through being in college during the start of the Iraq war, and knowing that those issues mattered lot to me, and wanting to go see for myself.
I very much hope that when my wife reads my writings so she reads it as if she is a character and not the real one. Sometimes she takes it too personally.
You have Cameron Crowe write an incredible monologue for you just based on the things that you're talking about. It just became this opportunity that was too exciting a process to pass up.
One of the paradoxes of writing is that when you write non-fiction everyone tries to prove that it's wrong, and when you publish fiction, everyone tries to see the truth in it.
Few things in life are less efficient than a group of people trying to write a sentence. The advantage of this method is that you end up with something for which you will not be personally blamed.
I get inspired when I look at Tom Lennon, who did Reno 911! for six seasons while writing huge movies and directing, and also doing other pilots; he did that FX pilot, the Star Trek thing.
It's weird. People want you to know that they write. They want you to know they're a musician, rather than making music or making stories. It's the strangest thing.
I would not vote for the Democratic candidate. I could not vote for Donald Trump. I would therefore have to write in someone. I could get behind any other Republican candidate, any of them.
One cannot help but be impressed by this music. The musicianship is top-notch, the performances unpredictable and full of surprises, and Eric Starr's writing is consistently inventive.
Well, I think that when you direct a movie or write it. And in the case of the two movies I did, I wrote and directed, they occupy a special place for you.
I don't have a schedule, but I can write for hours non-stop. If I'm drafting a book, I try and do a chapter a day. I dislike first drafts. Revision is a lot more fun, but it takes years.
I can't say L'Etranger influenced me to write, but for the first time I considered the possibility of telling a story that resembled my own experiences in my own voice.
I had stopped writing plays set in villages because they were not relevant to my experiences and I knew my English classmates wouldn't appreciate them.
I've been writing, but I haven't been writing. In my mind I've been saying I want to write, but I haven't actually physically picked up a pencil and started writing.
I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it.
I think I might write a book. I like writing. People have asked me if I would get into politics, but I think I feel a lot more effective being a representative of truth through the arts.
Learn. Ceaselessly. Learn to code, to write persuasively, to understand new technologies, to bring out the best in your team, to find underused resources and to spot patterns.