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[John Calvin] writes clearly, directly, without artifice, and gets straight to the practical heart of the matter.
I started singing when I was a teenager. I always wanted to write songs; I just didn't understand how someone could sing without writing their own songs.
I think I write a lot, but it's always a continuous stream of consciousness, I guess. It's a mechanic. It's a discipline and it's a way to have supplies for the songs to come.
I feel it most in my work, because there aren't roles about women who are spiritually evolving. That anyone would even write something like that, something that's worth doing, would be a miracle!
I enjoy the process of writing collaboration so there's some stuff that already that may happen and then some stuff that I'm initiating that I may write on my own.
I've been having a lot of fun exploring different aspects of filmmaking, like writing and producing. There isn't a specific plan and I usually don't know what's going to be the next thing I do.
I work seven days a week, from 9 in the morning till 8 at night. I have the titles of the next eight novels I want to write. I feel myself pitiable, degraded on a day that I don't write.
I am proud to be a Turk, and to write in Turkish about Turkey - and to have been translated into about 40 languages. But I don't want to politicize things by dramatizing them.
The song could start with a riff that I base the song around. Or a chord progression or a melody I have, I just write a story about it. Lyric-wise, it's cool to have someone else's input too.
That's why I haven't been so anxious. But now, lots of people write and say, 'I want to find out what you're doing.' So I know that this book will enlighten them.
I write in Arabic and prefer writing my stories by hand. I need a cup of tea or coffee when I write. When I was in Syria, I was addicted to tea, but now I'm addicted to Starbucks.
I was really interested in piano and sort of discovered that I was a writer when I was about 13 and started writing. And it was my secret thing and my passion.
There is a much higher probability that a first-class scholar should commit an error than that an author who usually writes nonsense should have one good idea.
They said I would never write this book. Well, f**k ’em – ’cos here it is. All I have to do now is remember something... Bollocks. I can’t remember anything.
Definitely they write themselves. It's an amazing experience. It's like the characters have come alive and are sitting on my shoulder talking to me, telling me their tales.
I write in freehand equivalents because measuring, to me, takes away from the creative process of cooking. Two turns of the pan with EVOO is about two tablespoons.
I don't have to write jokes. I don't have to write insults. If you ask the man of the hour in the hot seat, my mere existence is clearly insult enough.