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I went into journalism in a grandiose way. I thought maybe I'd do a little journalism whilst I write the great novel of all time you see -- one has to keep oneself afloat.
It's that quirky kind of weekend feeling they write ridiculous sunny-day songs about. You know the ones--I'm sure they're on your iPod even though you'd never admit it.
I was always determined that one way or another I would force a book on the world, even if I had to resort to writing one about a tabby cat who solves mysteries.
There are probably a couple of things I'd never write about until everyone I know is dead. And then there's other stuff which nobody would want to read a book about anyway.
All tweets are tasty. Any tweet anybody writes is tasty. So, I try to have each tweet not simply be informative, but have some outlook, some perspective that you might not otherwise had.
Why can't Pluto be a planet? Some people like Pluto. And if it doesn't exist then they don't have a favorite planet. Right? Please write back but not in cursive because I can't read cursive.
I've found for the last couple of years that the things that I can become most deeply involved with are songs that reflect my real feelings about things and so that what I've been writing about.
I'm never, I hope, stupid enough to believe that Twitter or blogging or any of this stuff is a substitute for actually doing the work or writing a book.
Writing may or may not be your salvation; it might or might not be your destiny. But that does not matter. What matters right now are the words, one after another. Find the next word. Write it down.
Anything that keeps you happy and writing is part of my writing ritual: I like music, so I tend to have it playing in the background. But if I'm interested, I can write in an airport waiting areas.
The first author I remember being obsessed by, actually realizing 'I like the way he writes and I like the way he tells stories,' was C.S. Lewis and the 'Narnia' books.
With American Gods I was trying very, very consciously - there was a level at which it was a little like trying to write a novel in French - you know, "this novel is to be written in American."
I always say that if you're a novelist, the challenge is not writing what you think ought to happen, but trying in some way to write what did happen in a world that doesn't necessarily exist.
For me now, it's about what you would write and what you wouldn't write, and that's how I select what I am going to do. It can be quite nice being brought a concept by a studio for me to work on.
At least I'm at peace with myself. I have done my best to write a book about what really happened there and why it happened and it's done, it's published. I won't write another book on Vietnam.