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A lot of people go off and have fun adventures, or hard adventures, and their impulse is to write about them right away. What really makes a difference is having some perspective on what happened.
For me, it's important that I experience and feel what the characters are feeling. So I put myself in those moments, in their thoughts, and let it happen naturally. I write what I feel.
Americans think African writers will write about the exotic, about wildlife, poverty, maybe AIDS. They come to Africa and African books with certain expectations.
I think dialects should be left alone. People should write in whatever dialect they feel they want to write. In the fullness of time, these dialects will sort themselves out.
When people ask me which I would rather give up, writing or medicine, it's like being asked which eye I'd prefer to have poked out with a spoon: neither, and please use a fork.
I write in the novel's afterword that our recent wars "finish not with victory or defeat but with a calendar draw-down date and a presumption that we shall never be reconciled with the enemy".
Everyone that I meet always wants me to direct, but whenever I think of directing, I think of aligning shots. I'd definitely have to write and direct something. But I don't know if I could.
I'm under strict instructions to write a happy ending. Rule number ninety-seven: You're not allowed to make a dragon cry." "Right," Said Sophie, starting the engine. "Tears might quench their fire.
For me, you have to not have a formula. You have to not even sit down and say, 'I want to write right now.' It has to just kind of come out. It's not something you can plan.
I think Gram did his best work in co-writes. Sometimes when you're working with one other person, it's such a magical thing. You're editing each other and you're trying to create that one spark.
I'm not a very spiritual guy when it comes to music. I remember hearing Carlos Santana say that angels helped him write his songs. And I thought, 'Really, angels?
To be honest, after all the crap that happened with 'Summer Heights High,' I was like, 'I'm not going to write anything controversial or edgy ever again; I just can't handle the blame.'
When I was in school, I was always writing scripts and dressing up as characters. I'd constantly be that guy who'd get up on stage. I used to write imaginary TV shows, like soap operas, for fun.
It's always flattering when somebody you really respect and like wants you to be involved in their project - let alone writes a part with your voice in mind.
You can't really write until the characters kind of show up one day and tell you what they're going to say. You start to hear the rhythm of the way the people talk, and then it becomes easier.
I have little weird things that aren't really specific but are just kind of odd. I write my 5's backwards, and I don't know if anyone would even care, at all.
I really do enjoy getting out to meet my readers. Writing is such a solitary business, it's gratifying to thank folks in person and really connect as human beings and not just words on a screen.