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I love when I'm writing and I'm cringing because I know I'm doing something right.
Most gothics are overplotted novels whose success or failure hinges on the author's ability to make you believe in the characters and partake of the mood.
I’ve always said, ‘I have nothing to say, only to add.’ And it’s with each addition that the writing gets done. The first draft of anything is really just a track.
The only way to build a fan base is to have a lot of material out there for readers to find. You can't manufacture a fan base. You create it, one story at a time.
If the stories come, you get them written, you're on the right track. Eventually everyone learns his or her own best way. The real mystery to crack is you.
I know writers have to be crazy. But more than that that, they have to get made and stay mad. If things don't make a writer mad, he'll end up writing Flopsy, Mopsy, and Cottantail.
The urge to travel feels magnetic. Two of my favorite words are linked: departure time. And travel whets the emotions, turns upside down the memory bank, and the golden coins scatter.
The fact of the matter is that you should really stop concerning yourself with writing a book because anyone can write a book that totally sucks. There is nothing special about that.
Do you know what the difference is between PR and advertising? Advertising is when you say how great you are. PR is when other people say how great you are. PR is better.
I thought to spend my declining years writing poetry and teaching - but that won't pay the Bergdorf's bill. I think I'll move to somewhere life is cheaper.
The real violence is committed in the writing of history, the records of the legal system, the reporting of news, through the manipulation of social contracts, and the control of information.
In comedy writing, a sitcom plot is basically the same thing: What's the worst thing that could happen? But you're playing it for comic effect. It's a similar muscle being used with Black Mirror.