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I took lots of photographs and had planned to write a treatise on how it worked, but I quickly got bored with that idea and wrote a scientific fairy tale instead.
In writing a little tragedy, 'The Gaol Gate,' I made the scenario in three lines, 'He is an informer; he is dead; he is hanged.' I wrote that play very quickly.
I identified in a very deep way with the individuals I was writing about because the theme that runs through this story is of extraordinary hardship and the will to overcome it.
I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print
I started off like everyone else does, slogging but having a compulsion to put words on paper. I didn't write or read horror or fantasy, other than children's fantasy, until I was in my teens
No matter how many people try, no matter how many fancy songwriters in Los Angeles try to break it down to a formula... to an extent, there isn't a science to writing great songs, I suppose.
I used to think Twitter was a waste of time and sort of ran counter to my ability to be productive and to write and now Twitter feels like a really cool part of the creative experience.
If you are writing about baloney, don't try and make it Cornish hen, because that's the worst kind of baloney there is. Just make it darn good baloney.
The epitaph that I would write for history would say: I conceal nothing. It is not enough not to lie. One should strive not to lie in a negative sense by remaining silent.
Ask yourself, what makes my book so different? So interesting? Don’t write to be a best seller. Write for and from your heart, not your wallet. Write something you want to be remembered by.
I've been thinking so much about writing as a gift to readers - and how newness of subject (place or topic or person) is one of the biggest gifts at our disposal.
The real question is what to live for. And I can't answer it. Except another one of your records. And another chance for me to write. Art for art's sake, corny as that sounds.
I was one of several songwriters I think interviewed [for Moana]. I'm a huge fan of Disney animated movies, and I've always wanted to write an animated score since I was a little kid.
Like the philosopher, the author views his task as one of establishing a clear connection between life and history, and of making the past bear fruit for the present and future.
I wrote for twelve years and collected 250 rejection slips before getting any fiction published, so I guess outside reinforcement isn't all that important to me.
I like to believe my suspense novels marry the strong characters from my romance writing past, with the twisty, clever plots of my mystery writing present.