Radio Quotes

I don't think there's any shortage of tough, sometimes vicious rhetoric about President Barack Obama coming from the right. Talk radio shows dominated by conservatives.

I listen to NPR and baseball games when I'm in my car. I mean, exclusively NPR and baseball games, and that's it, as far as the radio.

I have much clearer memories of my time in Egypt: songs on the radio, the rhythms that accompanied belly dancers, the sound of the adhan - the Muslim call to prayer. I just soaked it all up.

One of my favorite occupations is making radio/video edits. I love singles.

Television really has been my vehicle. I don't get played on the radio much, so I've relied on TV a lot.

In the 30 years of my career, I have explored all possible mediums, except radio.

Me mum used to always have the radio on - even now she has it on in every room. Me girlfriend sort of blames that reason for me not doing that well at school - constant noise, really.

They were worried we wouldn't get any radio play at all[ for "A Deal with God" ]. That's why it was changed [to "Running Up That Hill"].

Im going to get myself one of those, um, movable computers - what do you call them... ? Laptops! I am bad. I still call my radio a wireless.

Fine. Everybody wears seatbelts. No radio. No distractions.” Ben shot Hi a stern look. “No running commentary.” “Your loss,” Hi said. “To the pimp ride!

I love hearing my song on the radio the first time, but when it comes on again, I change the station. I already have so much of the spotlight on me. I don't need any more.

I think people who say radio is gone or radio is irrelevant are way off the mark. It's still by a huge degree the dominant medium. I know it's changing but radio is still incredibly important.

I think that the special thing about radio is the off switch. If something's not pleasing you, turn it off.

It is difficult to get played at my age on the radio.

Radio is aimed at the 30-year-old market, so you have to have great music and appeal to get that age group. And you need a record company to believe in you. It's like a bit of the perfect storm.

The program director at a radio station, by the way, is not the superstar. If he was a superstar, he'd be out creating songs, but he's not. But he wants to act like he has control and power.

I still tune in to the radio and listen to pop music and enjoy it as much as I ever have.

I myself grew up when radio was very important. I'd come home from school and turn on the radio. There were funny comedians and wonderful music, and there were plays. I used to pass time with radio.

I've done radio interviews about this movie [42]. I feel I'm a part of this movie, since I knew Jackie Robinson. I was at his first game.

Gleason became like a mentor of mine. I had Gleason helping me on television, Godfrey on radio.

I loved radio for the music, concerts, parties and to think you could get paid for it.

But I've also spread my net very wide. If there's one thing that I've done on purpose it's to take whatever job, so long as it's interesting and challenging, whether it's theatre, radio, TV or film.

We definitely set out to make a great 'radio' record. We set out to write great hooky choruses-but with verses that said something.

I'm not afraid to go out on a limb, style-wise or with lyrics. I don't ever want to be afraid to cut those types of songs because radio might not play it.

Unless the radio is on I am usually listening to stuff that is very different to what I do.

I listen to the radio and I like all kinds of music, you know, but I like to hear from people who have been there. Hank Williams has been there.

On my morning run, I listen to sports talk radio.

I'm the leader of the show, keepin' you on the go, but I know I can't live without my radio.

When I was in college, I had a jazz radio show. I called it 'Excursion on a Wobbly Rail,' after a Cecil Taylor song. I used to run around the Village following Ornette Coleman wherever he played.

When you have a song on the radio your career and your life changes maybe for the better and maybe for the not so good depending on how it's going that day.

I hear the headlines on the radio, see them on TV and read them in the paper. When I hear from the men out there, I sometimes don't believe they are talking about the same situation.

It's so exciting to be doing radio on the cutting edge of technology. Being in on something new is the biggest thrill in the world.

Radio stations have constructed a narrow door[way], and that's because they don't understand how complex and paradoxical our snap judgments are. It's hard to measure new songs.

I also spend a lot of time on political blogs, and music blogs getting things for my radio show.

I'm a guy that after having experience in radio and stuff, if I can trust the people I'm working with, I get a real thrill with working with other people who are good at what they do.

I have a very primitive sense that if I just turn on a radio or the television, that somebody's playing that stuff for me.

I knew most of my radio listeners were lefty political people, and I decided definitively not to be that guy - not to address politics.

I particularly like Twitter, because it's short and can be very funny and informative. It's a little bit like having your own radio program.

I spent much of my childhood in northern Quebec, and often there was no radio, no television - there wasn't a lot to entertain us. When it rained, I stayed inside reading, writing, drawing.

Any time a new technology is introduced, like when TV was first invented, everybody was like, "Radio's dead."

Sipping Bailey's Cream by the stereo, trying to find relief on the radio. I'm suppressing the tears.

I'm doing more than just making songs for the radio. I want it to be a well rounded sounding experience.

I love the sounds of Latin jazz, R&B, hip-hop, alternative, all that stuff. I'm a radio kid.

I don't have a problem being on 'MTV,' and I don't have a problem being on the radio. I actually like it. So there. And anyone that calls me a sell out is just jealous.

This being 1962, no one thought it odd to have a mime program on radio.

And then, also, when you're doing something that doesn't sound like anything else on the radio at the time, you almost need to, like, ironclad it to make sure it gets through, you know?

I even played Jack Webb's partner on the radio version of Dragnet for a while.

I was born in 1942, so I was mainly aware of Howard Hughes' name on RKO Radio Pictures.

Folk music has a sort of a bubbling-under quality. The stream runs through the cultural consciousness, and whether or not it's on the radio is not the issue. Folk music is always there.

If we compare the two, Facebook is currently a superior place to market a product like Slide. Twitter is more like a general distribution agent. It's like broadcast radio.