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I still want Oprah to play my best friend. I want to spend time with Oprah.
I wanted to play football. It was what I did best at school and I'm pretty sporty, so that was the idea. Music was always a hobby, innit. I was more ahead with football.
Horror fans are very passionate people, and they are very much into the 'Saw' thing. So they watch sometimes as carefully as the writers and producers do, in terms of the way the story plays out.
There's a band of studio session - hot players - that play on my albums... They're an eclectic bunch of misfits that I've worked with for years and years.
I love the cello, I love the physical sense of an instrument that's about the size of your body that vibrates enough that even if you play an open string, you feel it.
I have always had an interest in performers who play against the most obvious of expectations and are able to find something secret, something withheld, and some level of restraint.
Аs long as I've got an audience out there to play for, I'm going to continue to play. I have at least enough people that I can go out on the road for 10, 11 weeks at a time.
Having to act like an adult because I was directing a big movie but also feeling like a child because we had reindeer and big cameras and they had fake snow. I just wanted to go play in the snow.
I've been involved in one or two successes in classical plays but nothing to touch the excitement and the glamour and the gratification of being a children's hero for so long.
All directors should have to act and all actors should have to direct, so that they can understand all these key things that come into play with whether you can meet your day.
A lot of people would flee from what they think is award-show cheesiness, and I don't. I often joke that my speeches are very personal moments that play themselves out in front of billions of people.
If you play it straight it's funny - the best comedy is always played straight down the middle. The adjustment is understanding from the screenplay that a moment is hilarious.
I'm not as self-destructive as Dylan Thomas, but I've certainly been around that behavior enough to have found it a release. The thing that I really enjoyed was being able to play misery.
There's all sorts of things I was always meaning to get around to - learning to play the flute, calculating the square root of nought, going mad - but I just didn't have the time.
The truth is that if you play on TV there is always a sponsor. There is no way around it. I've already passed on so much money I don't worry about it anymore.
For a long time I managed to think two things simultaneously, that I am actually a good playwright, and that the next time I write a play I will be revealed as someone who is no good at all.
You can't but know that if you can capture the emotions of the audience as well as their minds, the play will work better, because it's a narrative art form.
If you record the sound of bacon in a frying pan and play it back, it sounds like the pops and cracks on an old 33 1/3 recording. Almost exactly like that. You could substitute it for that sound.
We [US] can't compete with low-wage countries in different parts of the world. We cannot compete with countries that play games with currencies or regulations. We can't. We shouldn't.
I used to listen a lot to Rolling Stones records and play along with them when I was first starting. It's a good way to learn, jamming around basic music.
I personally kind of yearn to play characters who are complex and who strike a truthful chord in me and who are challenged in some way and, I guess, who kind of move through those challenges.