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I collected pictures and I drew pictures and I looked at the pictures by myself. And because no one else ever saw them, the pictures were perfect and true. They were alive.
We're constantly taking pictures of ourselves. It's a bit scary, because images are essentially dead, so we judge beauty on something that isn't alive.
What I learned from Lennon was something that did stay with me my whole career, which is to be very straightforward. I actually love talking about taking pictures, and I think that helps everyone.
Hollywood, what a place it is! It is so far away from the rest of the world, so narrow. No one thinks of anything but motion pictures or talks of anything else.
Fame is fleeting, and you can't get caught up in it. Signing autographs, taking pictures, and being nice to people is a small price to pay for the upside that comes with this.
I do believe motion pictures are the significant art form of our time. And I think the main reason is, they're an art form of movement, as opposed to static art forms of previous times.
I get really restless when I haven't worked for a day and a half. I have a recurring dream that people are lined up next to my bed, waiting for autographs and taking pictures of me!
They were taking pictures and everything. When we got down off the plane, the minute Elvis made his appearance at the door of the plane, the screaming got even worse.
I dont believe in learning from other peoples pictures. I think you should learn from your own interior vision of things and discover, as I say, Innocently, as though there had never been anybody.
Lenin in 1921 observed very presciently that motion pictures were the most powerful tool ever invented to shape the way we thought. He was right. Political films can be successful.
When I'm taking pictures I even forget that I have a camera. When I shoot I forget about everything. Light comes, death comes, people go in and out in costume - and it's like a play.
I don't believe in playing down to children, either in life or in motion pictures. I didn't treat my own youngsters like fragile flowers, and I think no parent should.
In other words the pictures are in a kind of relationship with each other which is touching only at points rather than pictures being illustrations of poems or poems extrapolations of the pictures.
It was 1966 by the time I started taking pictures seriously and books, newspapers and magazines of the time were full of great pictures that helped to inspire me.
I've never put myself in the mindset that I'm actually any good at taking pictures, I just love to shoot things that catch my eye, whether it's landscapes or just my kids.
My vanity is not dead. I laugh when I see pictures of myself as I am now-maybe so I won't cry, but just because it is really funny how much I've changed.
When you start thinking about taking pictures, sending an e-mail, receiving an e-mail, speaking into your phone and have it transcript voice into text and then sent as an e-mail, it's mind-boggling.
I'm often uncomfortable taking pictures, especially if people are grieving, or hurt, or hungry. At such times I have to remind myself that I'm a photographer and that this is my job.
Sometimes without shooting a picture germinates in your head. Other times, you keep taking pictures of the same thing and watch the images mature and grow.
People were like, 'Oh, there are going to be people running up to you taking pictures' and I thought it was going to be a bunch of little kids. But it's grown-ups! And that's, like, creepy.