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When I paint I am ageless, I just have the pleasure or the difficulty of painting.
When Michelangelo finished the painting of the Sistine Chapel's ceiling, he spent the rest of his life trying to remove the paint that had poured into his sleeve.
As far as paintings go, I always think about what it's like to move them and hang them up and hope they don't drop. To me, that seems like a big gamble, but that comes from me not being a painter.
You come back to the beginning. That's why in the "Searching for the Ox" sequence, at the very end of that sequence of the Zen paintings, we're back in the world again.
If you keep pushing paint when you're tired of it, you lose sensitivity. I can only focus on painting for a few hours, so I'll stop and work on something quite different.
Nowhere in my collection do I, say, have a Auguste Renoir painting. Because everybody knows that this is a good painter without me having to demonstrate it.
Willem de Kooning paintings are a language to be learned. When they were first shown, they were ridiculed as being just drips and splatters and splashes. You had to learn how to read them.
I have never really liked gigantic-scale painting. I think that so many artists are seduced by scale - "Well, if I make it that big then it has to go in a museum."
I feel like vocals are to music what portraits are to painting. They're the humanity. Landscapes are good and fine, but at the end of the day everyone loves the Mona Lisa.
He turns to the painting. "I fear Mark was right." "Who is Mark?" "A silly little boy who runs after George Boleyn. I once heard him say I looked like a murderer." Gregory says, "Did you not know?
[King René of Anjou (1409-80)] would not listen to the news of his son having lost the Kingdom of Naples, because he would not bedisturbed when painting a picture of a partridge.
Whether it is drawing or painting, skilled Artists usually deliver a faster result without jeopardizing the quality, simply because they don't have to waste their time on fixing mistakes.
I'm very interested to see how this new painting will go - I know I want it big and stark, and as I said, I follow the muse, and that's when it always works perfectly for me.