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I was blessed to get an education available to few black women in Africa at that time. Every woman should be able to get an education so she can serve others.
I have a really hard time stepping out of a limousine and confronting a sh*tload of photographers who are all screaming at you, because it's like saying, 'yeah, yeah, here I am!'
The biggest challenge of my career, which is something that authors of genre fiction face all the time, is writing something fresh and new and at the same time meeting reader expectations.
I have to tell you it was the first time even after all these years of expecting my own death that i truly knew what it meant to die because with you gone there was nothing left for me to live for.
I first met the brand [Didier Dubot] when I went to an event for them on Top of The Standard. It was about three years ago. It was the first time I heard about them and then that's where I met them.
I brought a lot of images of pieces I got from my grandmother, pieces I collected over time and then we met with a designer and we tried to morph all my inspirations into one story.
An Oscar is a total honor. It's thrilling, and on the one hand, it means a lot of things, and on the other hand, it doesn't really mean anything. It's a moment in time.
I coauthored my first nonfiction book by the time I was 25. I have been involved in nonfiction documentaries, newspapers, TV and internet since that time.
Grief reconfigures time, its length, its texture, its function: one day means no more than the next, so why have they been picked out and given separate names?
For a long time I didn't want to do a solo thing, but there comes a point where everyone else is going outside of The Strokes and The Strokes filtering process.
There's always a little bit of disappointment. At the same time, number one, [Hillary Clinton] made a great choice. Secondly, I'm 41. And so I feel like - that I'm excited about the years to come.
The reality is you have to do your work and maybe you don't know everything. Maybe I don't know what the hell I'm doing! But most of the time you can't even admit that, though.
It's quite an interesting time, the '20s, because the politics of England were changing quite a lot, and the class structure was starting to shift a little.
When I'm making a movie, I don't like to know what's going to happen next. I like to watch something and be surprised all the time, and just not know, and let it take me wherever.
I never paid much attention to being Jewish when I was a kid. In fact, I'd say my religion was more surfing than Judaism - that's what I spent most of my time doing.
For a long time, music was hope. Now it seems music isn't enough to make me happy. It used to be that's all I needed to keep going. Now I need other things to take up the other parts of my life.
Onstage, of course, you have the luxury of rehearsal and discovery and time and comfort, which then turns into terror when you actually have to put it in front of people.
I read some article where Reese Witherspoon said, "If you're not yelling at your kids, you're not spending enough time with them." It made me feel so much better.