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We only have so much time.... Time will kill you it really will.
If somebody knew every time they did something it was going to be a hit there would never be any failures. Sadly, that's not how it works. You take nothing for granted.
I actually had less time and the exact same budget on Hairspray, which was few years ago and this is a much bigger movie [then Rock of Ages]. That's the way studios do it now.
As an actor, often you're stuck with these scenes in which a great period of time is in between them - for example, if you do a biopic, it might be a year, it might be a decade, you never know.
Every time I hit the stage I try to take something from it. There are a lot of shows and opportunities to be seen like that. I like to just take all of them and allow them to help me build.
I'm one of the artists that even though I love my soulful stuff, I love to turn up and have a good time and that's another side of me. As long as it doesn't veer away from who I am, I'm down with it.
I never put myself in a box. I like to have various different types of songs and different genres and situational songs. No matter is going on, I have something for that time or era.
Anything you ever make that matters takes a long time. Some artists never see their work in front of an audience, so for them 15 years is a blink of an eye. I am nothing but grateful.
The first principle from which stems the moral of about all people at all time; it is summarized in this precept: Love thy neighbour as thyself, and: do as you would be done by.
Separation can make us feel helpless and powerless, like we have no control. To withstand this negative force, we must return to our inner core, and that takes work. That takes time and patience.
Is there ever any particular spot where one can put one's finger and say, "It all began that day, at such a time and such a place, with such an incident?
How often have I not heard a perfectly intelligent female says, in the tone of one clinching an argument, 'Edgar says -- ' And all the time you are perfectly aware that Edgar is a perfect fool.
I didn't go to art school. So, I never had this moment of taking time to actually learn how to make things and learn about art history and learn about people that came before me.
Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
I spent a lot of time standing on street corners [of New York City] talking to local residents. I spent time in bookstores and galleries. But most of the time, I really did not have much to do.
It struck me then how much the past - not just the past but history and family - was like the ocean tide. It was always the same ocean, but the waves made it fresh and new each time.