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Have I been blind, have I been lost, inside myself and my own mind?
I was always attracted to characters that were in some level of turmoil or suffering because I had so much of that in my own life and I wanted to channel it. I was always into darker things.
My own philanthropic efforts have always included an educational element, whether it's expanding opportunities to educate a promising mind or extending the brain's ability to learn.
My own standards that I'll hold myself to is if the product that I'm making feels honest and it feels like I didn't compromise and it just came from an honest, correct place.
I have a little gypsy palace here in New York. It's all mirrors, and I have my own garden. It's so secluded - the closest thing to a caravan I could find!
I would eventually like to write and star in my own stuff. I think I have a good comedic sense, so I'd like to follow that road. I don't know what the future holds, but whatever I do, I'll commit.
My best and worst 'Idol' moments? I don't have a worst 'Idol' moment... I've been spectacular. Yes, I am going to toot my own horn. And then my best moment is every single moment. I'll toot it again!
I was late to the Knicks. My dad was a big fan. But I first started watching baseball; I became a Red Sox fan. My dad was a Mets fan. I wanted to have my own team and league.
I've got my own style on the guitar, sure, and I play rhythm in a certain way, and I use certain inflections. People have said that to me, and I understand it.
Weirdly enough, I don't like to pretend. I try to use things in me, and translate them into the situation and the characters, so it always needs to run through my own veins.
I might do a film someday for the collection. I love designing sets and creating environments, in film school and for my own presentations. I love telling stories.
I don't think I'm generous enough to be the straight guy. I sort of make my own way and make my own statement. Do I mind pushing myself forward? Not at all.
There are a lot of parts of who I am that no one in the public has ever known, but the older I've gotten, the more I've appreciated my own strange little self and come to terms with that.
Long time I been on my own, but now really I'm alone. I survive the killing, the starving, all the hate of the Khmer Rouge, but I think maybe now I will die of this, of broken heart.
I love to photograph the tools of one's trade: Duncan Grant's paintbrushes, the typewriter of Herman Hesse, or even my own guitar, a 1957 Fender Duo-Sonic.