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Any documentary; any capturing of a non-fiction event, is a hyper-realistic condensation of reality that hopefully reveals an emotional truth. It's never the actual literal truth of an event.
I think the thing is with a movie that has this much science fiction in it; you need characters who are more science fact, if you know what I mean, than they are human.
By and large, serious fiction was the work of victims who portrayed victims for an audience of victims who, it was oddly assumed, would want to see their lives realistically portrayed.
Genres do exist because frequent users of any large bookstore can instantly tell what any piece of fiction is supposed to be about by its title, its cover and its location in the shop.
Fiction is of the essence of poetry as well as of painting; there is a resemblance in one of human bodies, things, and actions which are not real, and in the other of a true story by fiction.
I do not plan my fiction any more than I normally plan woodland walks; I follow the path that seems most promising at any given point, not some itinerary decided before entry.
I don't think I'm more of a screenwriter than I am a fiction writer. I'm more of a reader than a film-watcher, so I imagine that I'm not approaching fiction or films in a particularly cinematic way.
It is simply much easier to infuse life, feeling, and higher truth into a novel than a non-fiction work, to find the license to write truth without being wedded to fact.
The science fiction I write comes from a pretty deep pool of literature, not just from the reflection of other science fiction films, and I think that gives me somewhat deeper roots.
My advice is to write about what you are interested in. If you read science fiction and fantasy, then write in that genre. If you read romance novels, then try writing one.
Here's a quick rule of thumb: Don't annoy science fiction writers. These are people who destroy entire planets before lunch. Think of what they'll do to you.
Among its many other obligations, fiction always has to be believable. Life does not have to suffer such constraint, and much of what takes place is believable only because it happens.