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I'd hate it if everyone in the world liked me, my music and what I wore. It'd make it boring, and I wouldn't have anything to work towards. It's not to everyone's taste, but I can only be me.
My second record I used a producer, which was frustrating in a way, because I think a lot of the punky spirit and provocative nature of the lyrics didn't come across - the music was pretty.
I love to be alone with life. I love to study simple things: the light as it filters in a window; the music of a room full of people chatting; a horizon.
Arranging is sort of the most exciting part of making music right now for me. I really enjoy the process of arranging because you're given all the time that you need to decide on every single note.
Both of my mom's parents were music teachers, so I was hearing the fundamentals of playing the piano, what notes are, and all those things very early on.
People just try to put you in a box and I don't see myself in any particular box. I'm making my own box. There's no way I would be able to make the music I'm making without dancing.
It doesn't necessarily always come down to race in the music industry. It can be whoever has the most money, has the most power, and that's really the struggle - dealing with how crazy money is.
In World War II all these countries were completely against each other, complete opposite. Now we're getting them all together, through the idea of music.
Anytime a person can play the blues, he has a soul and he has a 'lift' to play anything else he wants to play. It's sort of like the foundation to a building.
Novels are almost like music or poetry - they just come to me in simple sentences, whereas I think my pieces get more and more complex ever since I've started using a computer.
There are some books in which every poem is a facet of the same thing. So the book is like a piece of music. And there are books of poems that I love so much that I carry them around with me.