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I just did whatever it took to keep making music - I slept on couches. You would be amazed at how far $20 can go if you stretch it out.
For me there is a reluctance to be in front of cameras. I love making music but with that comes a lot of responsibility and you have to put yourself out there more.
I'd rather lose the small part of the audience that is going to be insulted because a documentary shouldn't have music than the big part of the audience that kind of gives itself over to the scene.
To have your music used on television and in movies, that's our way of getting it across to people. We're not on the radio all the time. It's the only way to get your music heard.
The New Orleans bands, you see, didn't play with a flat sound. They'd shade the music. After the band had played with the two or three horns blowing, they'd let the rhythm have it.
Everything in New Orleans was competitive. People would always be betting on who was the best and the greatest in everything. That's where the battles of music came in.
I've always wanted to introduce hip-hop filmmaking to film. There's hip-hop art, dance, music, but there really isn't hip-hop film. So I was trying to do that.
I mean, come on, Beyonce's the queen of pop music. She's the queen. If you could run for queen... I would put her name in the suggestion box. She's incredible.
I want to make meaningful music always - I think every artist does. We want our words and melodies to mean something to people, even if it is just one person.
I want people to listen to the lyrics of each song and absorb the music fully before they look at me and make a judgment about what they think my music will or should sound like.
I was into punk, but I didn't go whole-hog. A lot of kids who grew up in small towns that were into punk music went the "safe" way - not doing drugs, being straight edge.
You can't quite believe what you are hearing - and it's not necessarily something that you can listen to all the time because it's too intense - but it changes the way you go about making music.
Usually, when Nirvana made music, there wasn't a lot of conversation. We wanted everything to be surreal. We didn't want to have some contrived composition.
The most important thing is that you honor that musical integrity, whether you make music that sounds like ABBA or you make music that sounds like Void.
The reason I play music is to touch people - for selfish reasons, as well. It feels good to make someone else feel something, whether it's a kiss, a painting, good idea or it's a song.