Movie Quotes

But once you get down to reality, there's no one to play her and there's no movie. It would be ridiculous.

I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of "Drive."

It was a very comfortable and personal relationship [Cliff Martinez ].'The Neon Demon'is our third movie and the music has never been as important as for this movie.

I would still encourage somebody, if they wanted to make a movie, to just go take a movie camera. That's clearly been shown to work. It's just how do you get it seen?

It's a lot easier, I think, to be an actor in a movie than to spin a joke on a sitcom.

Occasionally I will audition for a big overseas movie, but that's it.

Making a movie in Hollywood is a bit like playing a board game, where you have to throw a six to start.

I've always wanted to appear in a 3-D Movie, that's always been a goal of mine. If you appear in a 3-D picture you are a shoo-in for an Oscar. There's no competition.

Before 'Twilight,' occasionally I would get the 'Hey are you that girl from that movie?' but no one knew my first and last name. The fans of the saga are amazing, and it's very flattering.

The most wonderful person I met was John Travolta. He's one of the ultimate movie stars of all time.

I felt that with each movie, Gary [Ross] adopts a different style. He doesn't have one look that's the Gary Ross look, and I thought that was important.

You are there to support the vision of the people who you choose to excute the movie.

It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.

I've always tried to really focus on The Hunger Games movie, knowing that, yes, these are amazing books and I would feel like a failure, if I didn't get all three of them made.

Little decisions were made, every day. In this movie [The Hunger Games], we really focused on Cinna and we didn't get time to focus on the other stylist.

I always viewed life as material for a movie.

When I start a movie, there will be certain films that I watch again just because the vibe seems right.

I try to write 'and it's all very funny' after each scene description so that the reader can imagine the movie in their head.

My dad was a great movie companion. He wouldn't diminish 'The Jerk.' If I liked it, he liked it. He could see it through my eyes.

I made two movies very young, and then I had trouble getting a movie made, and so - which was both, I think, a plus and a minus. It was a minus because it made me unhappy.

It's near impossible to make a movie in black and white in the system.

There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.

Adaptations are fun for me because they connect to the idea of filmmaking I had when I was a kid. I would see a movie and think: 'I'm gonna make that movie.'

How you start the movie is critical. And how often you feel that there's no reason for how it's starting.

Anyone who's putting money into your movie would always rather you cast well-known people.

I've had great experiences or joyful experiences making a movie that people found very disturbing.

I like having associations with locations beyond their meaning for the specific movie.

After every movie, you get offered the role that you just did in the last movie.

I did do a war movie, 'Windtalkers.' That was a lot of action. But once you've done one big action/war movie, you don't need to do another one.

I mean, there are things in the book you could never do in a movie.

I can't always be making "British films". Why should we be making films about corsets and horses and girls learning to drive when Americans send over an event movie and make five or 10 million?

I'm always kind of hoping that I'll get a movie that shoots in Alabama so I can go back and kind of get a break from my city life.

It's always a shock to the people who run studios when a movie that is for women is a hit. They have an infinite capacity to be shocked.

Ellington is a writer and arranger, as well as a musician and leader. He does movie sound tracks.

Simple narcissism gives the power of beasts to politicians, professional wrestlers and female movie stars.

In the wake of Animal House, the stock briefly and quite wrongly shot up. So I love that movie.

We did a really cool video for this song [Milquetoast] with Alex Winter from Bill & Ted's Excellent Adventure fame. He's an extremely intelligent guy. Butch Vig also did a mix for The Crow movie.

For sheer excitement you can keep movie premieres and roller-coasters . An empty white canvas waiting to be filled. That's the thing.

Young people are forced to mature sooner now than in the '40s. I was doing things at age 14 that guys in the movie were just beginning to do at 16 and 17

I liked Lost in Space,” Stefan said. “The movie or the TV series?” “The movie? Right. I had forgotten about the movie,” he said soberly. “It was better that way.

I feel like I'm lost in an anime movie" I said, as Coyote picked the thing up. "One of the tentacle-monster ones." Most of them were X-rated and ended up with a lot of dead people.

Tune into my new lifetime movie. 'Dislocated shoulder' airing right now.

The movie that you'll be in is a new challenge. Photography is just the shot - one day, two days - and the next day you're gone.

You get a role like this in a big action movie [like Jack Reacher] and you can go one of two ways: you can paint in broad strokes, which happens a lot in action films, or you can get very detailed.

If you watch a movie, it never happens that you see a character that is in every single scene.

I always wanted to do a Disney movie.

Honestly, if you're just going to be the love interest then at least let it be a really good movie. Not every role is going to be Hamlet, I know that.

In a normal movie, you'd never see one guy talk for an entire page, whether good or bad.

When you shoot a movie so quickly you can't really afford to shoot a bunch of extra footage because you don't have that luxury.

You have to know what you're shooting. Don't just make your movie in the editing room and just get everything you can on the day.