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When you have little girls bringing you your action figures for you to sign, it's like, 'Wow, things are happening, and dreams do come true.'
'Arrival' talks very little about language and how to precisely dissect a foreign language. It's more a film on intuition and communication by intuition, the language of intuition.
With docs, there's often a very direct communication between the filmmaker and the audience. With narrative movies, we leave it a little bit more open.
I get very unsettled by the mess of Christmas. I find the decorations a little bit hard, as my desire for everything to match is never fully satisfied.
I think it's very hard in this day and age to raise little girls with morals, ethics and values, and them knowing that they are precious creations and that they are important.
We are shallow because our media are so horribly shallow. Every morning, I peruse the papers, and there is so little to read in them. It is the same with radio - all that noise, that artifice.
Our discomfort with female leadership runs deep. We call little girls bossy. We never really call little boys bossy, because a boy is expected to lead, so it doesn't surprise or offend.
I grew up reading '2000 AD' and the occasional Transformers and GI Joe comic, but when I could finance comics myself, I lasted only a little reading superheroes.
There was a film that really affected me, 'La Strada' by Fellini, where Anthony Quinn and Giulietta Masina travel around on his little motorcycle thing.
There's video footage of my 10th birthday where I'm wearing, like, a little pink T-shirt. Then my dad comes in brandishing a copy of 'Eraserhead, ' going, 'Look what we've got for tonight!'
Making movies is about creating illusions, and they can be subtle illusions, but it's all a cumulative effect as you make these little tweaks. It kinda adds up to something, hopefully.
I've been on Prozac for 12 years and I'm off it now. I know what it feels like to be excited and sad again. I haven't felt like this in 12 years I'm like a giddy little kid.