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Nothing is going to happen unless you work with your life's blood.
I've three children, three grandchildren, I work, I travel, and I'm very happily married. I'm very satisfied and happy with my life and there really isn't anything I want.
I don't want to let my life as a woman pass me by. There's a time to work, there's a time to be young and crazy, and there should be a time to enjoy motherhood. I'm actually looking forward to that.
That's a hard question, because I started skating when I was three, so I don't really remember life before it, and I don't know what it is like not to work hard at something.
My life isn't focused on results. My life is really focused on the process of doing all the things I'm doing, from work to relationships to friendships to charitable work.
You're living life in real time, man, and we' ve got a good amount of work to do for each other. Hiding is not an option and you're going to step out and you're going to make mistakes.
I'm at the point in my life where I don't want to work as hard. Actually, I've had to take a good hard look at workaholism and it's effect on one's mental health.
I guess the biggest world difference you can make is in people's relations to their own emotions, 'cause emotions rule so much of our daily life, and I think that's where we work.
This has been my life for many years; one role feeds the other. It is a joy to be an artist, but it doesn't mean very much unless that work is somehow useful in some way and contributes to others.
The more you work, study and develop your ability to contribute more to the lives and well-being of others, the better life you will have in all areas.
I'm interested in making works for museums in a way that make the space feel domestic, and I'm always thinking about how this work will be part of someone's daily life.
I'm a person who is only invested in the pleasures and enjoyments of life. All the rest is left to the men. I've always remained what you might call "feminine" about the whole [work] thing.
A lot of the other things in my life like making music, you know that's a very collaborative thing so I work on comics because it's not something that's a solo activity.
Poems' deep work is a matter of language, but also a matter of life. One part of that work is to draw into our awareness and into language itself the unobvious and the unexpected.
In every moment of every day of my life, I get to wake up and work with amazing people and nurture them in the way that I might have nurtured my son or my grandchildren that he might have had.
A lot of my work comes from a place of despair or fear. I often write in order to gain some sort of control over aspects of my life or the world that seem too dark to look at directly.