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I don't think money can help you become a better painter, for sure. You can have all the studios you want; it won't help you make a better painting.
Successful leaders don't start out asking, 'What do I want to do?' They ask, 'What needs to be done?' Then they ask, 'Of those things that would make a difference, which are right for me?'
When I was younger I saw a movie called 'Butch Cassidy and the Sundance Kid' with Paul Newman and Robert Redford. Those two actors and that movie was my inspiration to want to be an actor.
I've always written for actors, and if you want to write for good actors, you have to write parts that are surprising, that are human, and that allow them to go to a wide range of places.
I like my clients. All of my clients say, "Peter. You're talented. But, your best virtue is your discretion." They really don't want to be talked about.
When you start noticing even a small portion of all there is to be grateful for, you'll find there is no room for lack, hurt, or want. The attitude of gratitude: the great, full feeling.
You're working with other people and sometimes it doesn't work out the way you want, and sometimes you didn't realise what a mistake you've made until you see it projected.
All artists and creative people are basically unhappy people. If you were happy, that would mean you were content with the world as it was and why would you ever want to change it?
We have a new generation of very rich people who want to do more with their money than buy a lot of expensive toys. They want to live meaningful lives.
There are two kinds of actors: those with one job too few, who have to take every one that comes along, and those with one job too many, who can always turn down the one they don't want.
There are some movies that I remember a couple of seconds and I want to carry those couple of seconds in my heart forever, or wherever it is, and that's worth it.
Men turn to formal wear when they want a new job or when they think their current one is in danger. They try to present themselves as powerful and successful.
I joined Genesis when I was 19. I've earned the right to actually do nothing. I don't want to be a shadow of what I was, so I've kind of just quite willingly stood back.
People's attentions spans are getting shorter and shorter. I don't want to cater to that necessarily but, just for myself, it feels like more than 40 minutes of music is too much.
After more than twenty-five years in television, there are days when I feel like I'm just beginning, because I'm learning new things. I want to be better all the time.
I try to encourage people to identify the things in life that they really want to do, so that over a period of time they can design or steer their life towards those things.
I'm not saying that you shouldn't go to college or you shouldn't finish your degree, but sometimes people have a very clear vision about what they want to do, and they just want to get on with it.
I'm just trying to wake up - I'm so afraid of sleeping all my life and then dying - I want to wake up first. I wouldn't care if it was just for an hour, as long as I was properly alive and awake.
No,' he said, 'memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much.
Eventually the writing takes time. What I want to do is get the story down and I want to know what happens as I write my way into the knowledge of the story.
Sometimes I take a temperature of things just because everyone else does. Especially when I'm doing a play. I want to know what people are thinking, positive or negative.
Radically simplify the user interface, reinvent it, enough face lifts! You can put as much lipstick on a chicken as you want, it's never going to look good!
Never be afraid to bring the transcendent mysteries of our faith, Christ's life and death and resurrection, to the help of the humblest and commonest of human wants.