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Follow your passion. Help people along the way. Work very very hard and always come prepared.
It's as if Thomas Kinkade and Dante were at a party, and one turned to the other sometime after midnight and uttered that classic line "You know, we really should work together sometime.
When you're in the studio, you've got a narrative for what goes on, you might switch on a bit of gear and it might not work as you intended or come out a bit wrong, and you try and exploit it.
When you work on a computer in the studio, it's almost like fossilizing on the spot, you know, the idea of getting solidified on the spot, like a snowflake might create branches by accumulation.
I'm proud of the fact that Downton Abbey was born in a recession, at a time when ITV had dropped a lot of drama programmes. And I know that because I was out of work at the time!
Ridley Scott's company makes great work in whatever arena, whether it's movies or commercials or television. They just do really quality stuff, so you know it's going to be quality.
Things have slowed down considerably since the new series has started airing and I am currently looking for work. It has been a nice year-long vacation nonetheless.
We're in an era where you learn about techniques, but you don't experience anything crucial in yourself about a piece of work from an artist that you love.
I'm one of those fortunate actors who gets to work pretty much every day. I've had a run of good fortune and work with some terrific people who have hired me.
Sometimes I wonder why the corporate world is seen as a god choice for those of us that will never rise above clerical work and general administration.
On the first feature, everything's new. No matter what you're doing, it's a new experience, and you don't really have control over it, in a way, because you just don't know how things work.
My job at Stanford is rather different from the ones I had held previously in that my own ambitions must take a back seat to the well-being of the students with whom I work.
I work sometimes with dealers and sometimes people just come to me. A lot of the commissions, they just know me. They have seen something and they just approach me.
I like challenge. I like to be put into a situation which I haven't done before. Something new presents itself and I see if I can somehow finagle it into making a work of art out of it.
I'm fortunate in one respect; that I don't have a lot of work in my studio. Most of it's out, gone; either sold or in galleries. I work with a lot of galleries.
And after a while, you just pare things down more and more and more, until you get to certain basic things which just - basic ideas which just seem to work for you over and over again.
I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.