Go To Work Quotes

I certainly struggled when I was little and didn't have an easy time, so I try to put that stuff in my work.

When I was on 'Saturday Night Live,' all I did was work.

Best thing that's ever happened to me. I focus so much less on me. It's made me content, it's made me happy. It's like a Christmas present every single day that I get to unwrap. It's hard work.

I wanted to be consistent with my exercise, so I committed to working out for 30 days in a row, no matter what.

I value so many people who have to work full time, definitely single mothers. Their work is the hardest work. I applaud it so much.

This does not come naturally. I have to work out 60 to 90 minutes at least five days a week and stick to a high- fiber, low-calorie eating plan.

When you work with the same people for 10 years, they become family. Now when I see them - it might not be for nine months - but when I see them, it's great.

Sometimes, a stage curtain parts and you see: life could be better if you had more. Usually, I think, we can get just as good a different way. But tricks, they do not always work.

I rarely get a moment to myself, but I love the way that my agenda is dictated by the children, not my work.

I don't know which is more nutty. All this stuff I do outside of work, or the stuff I do all week.

You can't force your child to go to bed. Well, you can, but it doesn't work.

By being able to play different styles I can get more work. I also learn so much from each of those experiences. It keeps everything from getting stale.

At the time I was growing up in the business I was very well established within the industry as a child actor and as I grew up and turned into a teenager there was less and less work.

I've always been counted out. I've always had people believing I didn't belong. I think that has made me work a little harder.

I had gone to school to work on technique and found it wasn't something that was really worthwhile to me, although it probably was.

I was told that I was good in my dance movement classes and that I should concentrate on dance because it would enhance my ability to get acting work.

It's seldom that you get to work with one director more than once. I've worked with Clint Eastwood three times, but that's the only one that's happened with, simply because I adore his work.

I'm not digging tunnels, I'm not building buildings. My work is not hard, my work is refreshing, my work is pleasant. The more the better. Lying around and getting no job is debilitating.

Stage is really hard work. You've got to do it every night. Not like doing it once and walking away.

I can only be so long without work before I start getting antsy.

In my experience when I do try to avoid something, it makes its way into the work anyway. To be in front of it and just make friends with it is easier for me.

Sometimes it's just rejecting stereotypes, sometimes it's creating work. Sometimes it's just blocking out the noise.

My friends and I have all been super motivated to work and to do the work that we need to and want to and think should be in the world.

It's hard to do things like auditions, because you don't want to put weeks of work into just an audition.

I'm an R&B and Hip-Hop type guy. When I work out, which I do at least four or five times a week, I love to get the latest Hip-Hop because it really pumps me up and inspires me to get that workout on.

Some people make a career out of doing one thing, but I wanted to diversify my body of work.

To me the work is so much more interesting, the parts that don't require you just to take your shirt off.

I've been able to do pretty well. I don't work as many consecutive nights as I used to, but I'm still working over 100 nights a year, so that's good for me.

John Paul II called us Jews the older brothers of Christians. He represented humanity, dialogue and reconciliation, and he laid the foundation for religions to work together.

The work we do is only our love for Jesus in action...If we pray the work...if we do it to Jesus, if we do it for Jesus, if we do it with Jesus...that's what makes us content.

All we do our prayers our work our suffering is for Jesus. Our life has no other reason or motivation.

Though we are involved in social work, our goal is to be contemplatives at the heart of the world. We are with Jesus twenty-four hours a day. We do everything for Jesus. We do it all unto Jesus.

I am busy with my work. My path is clear.

You know the Singaporean. He is a hard-working, industrious, rugged individual. Or we would not have made the grade. But let us also recognise that he is a champion grumbler.

I take a lot of pride in the work I do, because people pay to see me. They've go to get babysitters, park their car, get popcorn and candy. I've got to be conscious of that.

Ideas' can be only in the distant background of a work of art, something like a very low horizon. In the middle distance and foreground... there shouldn't be any 'ideas' visible.

Tasting is an act of pleasure and writing about that pleasure is an artistic gesture, but the only true work of art, in the end, is another person's feast.

I am working out the vocabulary of my silence.

It isn't illegal to buy an artist's work for peanuts and sell it again at any price one can get. But it is an outrage!

When the years bring wisdom, one learns to leave many problems to their own working out.

The body grows by food and work, the mind by use, and the soul through joy and pain.

The spirit in which one earns his daily bread means as much to his soul as the bread itself may mean to his body.

Justice and beauty are central to God's new world and should be central to our work. Together they frame the good news of Jesus.

As a writer, my homeland is the desk where I work.

I work out four to five days a week, alternating three workouts.

I don't like to be feared, and I can't work in conflict, I'm very bad with conflict. I try to avoid it, it paralyzes me.

Winning is very important to me. I wouldn't be happy with anything less. And I work towards my goal.

Now what I like is that other artists know my work and are interested in me or want to collaborate.

That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.

My work is received more intelligently in Europe.