Electronic Quotes

Electronic Quote of the day

Working in an office with an array of electronic devices is like trying to get something done at home with half a dozen small children around. The calls for attention are constant.

One survey that I saw that was published I think in Variety or Electronic Media within the last three weeks says that now the average hour of radio in the United States has 18 minutes of commercials.

I wouldn't encourage new writers to start off publishing through electronic media... it still isn't wide enough for the readership they would need to get a good start

Electronic music right now is in its comfort zone, and it's not moving one inch.

Computer games don't affect kids; I mean if Pac-Man affected us as kids, we'd all be running around in darkened rooms, munching magic pills and listening to repetitive electronic music.

I find it so amazing when people tell me that electronic music has no soul. You can't blame the computer. If there's no soul in the music, it's because nobody put it there.

I’ve started thinking about pure electronic music again. Something very melodic, very aggressive.

Electronic music is innately tied to the technology used to create it - as the tools evolve, so will the art.

Electro is today's disco - making electronic music not for the sake of selling it but for sharing it and touring around the world D.J.-ing.

Rock music is electronic music, dependent entirely on electronic circuitry and amplification.

I'm fascinated with the electronic devices that we can mess around with.

It’s very strange how electronic music formatted itself and forgot that its roots are about the surprise, freedom, and the acceptance of every race, gender, and style of music into this big party.

I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.

Independence has been key to the success and sustained growth of electronic music over the past 25 years.

We have always been thinking about different ways to perform electronic music, i.e. music made with machines.

The good thing, really, is that electronic music started as a fringe subculture, and now it's the biggest youth culture in the world. People pretty much everywhere go crazy for electronic music.

We come from a generation that wanted to make electronic music accepted, at a time [when] it was not.

We've had the trivialization of our politics going on ever since we had electronic media.

I grew up with classical music, and to a lesser extent electronic music, and that's where I belong, so to speak.

All the electronic devices are weakening the social bonds. Sociologists and psychologists should study this serious threat instead of repeating that communication is the cement of society.

I think that the audience intuitively understands the idea of sampling and remixing stories. That's why electronic music is global.

I love electronic music, and I love drum and bass.

Underground electronic music is art - fundamentally it's based on contemporary art, culture, dance, and real music. If you look at EDM, how many of those cultural standpoints are the same?

A lot of people see electronic music as a flavor of the week, but it can be more than that - has to be more than that.

When I started working on electronic music, that was after the rave period. I haven't even seen that part of it that much.

The world is beset by many problems, but in my opinion, this hijacking of our brain's reward centers by electronic media is potentially one of the most destructive.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

At the end of the '90s and into 2000, electronic music was still an underground phenomenon, especially in America.

With technology expanding at this ridiculous pace, bit by bit we're losing our humanity and our ability to connect with each other without having electronic media in the middle.

Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology.

I would never say I will stay in electronic music for the rest of my life. I will always do whatever I feel like at that moment.

I love electronic music as much as I love something that sounds like 'Pullhair Rubeye,' or something a little bit more organic than that.

I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.

If people like electronic music, then great - let that be the next thing. I don't think I ever really will, but there's plenty of records for me to go buy.

I don't remember explaining that I was making electronic music to anyone, but I don't remember anyone being curious about it, either.

I've been a fan of electronic music since the beginning.

It's good to see that America has a hub for electronic music in Vegas, like Europe has with Ibiza.

I'm really excited about the remixes. I've always been a fan of electronic music and I'm thinking about that very seriously for the next record as well.

Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others. It is not really about them though it targets them as consumers.

Electronic music, for me, has been the only real pioneering music that actually does push boundaries and is constantly futuristic.

I wanted to make something that raised questions and was completely different and challenged the way most people experienced electronic music. So some people don't like me; that's OK.

I never thought electronic music would get as popular in America as it has. When I first came to Vegas in 2009 for my residency - we were they only people playing electronic music at that time.

If anything, a lot of electronic music is music that no one listens to at home, hardly. It's really only to be heard when everyone's out enjoying it.

The great thing about the electronic music scene is that everybody can be part of it either by dancing, DJing, or organizing a party.

To me a lot of electronic music out there is too serious. I'm a bit fed up with DJs who take themselves too seriously and don't smile.

A first hint of the power of the electronic media to bring disaster directly into living rooms came with the radio broadcast of the explosion of the zeppelin "Hindenburg," in 1937 . . .

[David] Bowie went on to make best-selling music - funk, dance music, electronic music, while also being influenced by cabaret and jazz.

Electronic music is so weird because trends change so fast.

Some people think electronic music is cold, but I think that has more to do with the people listening than the actual music itself.

People from the rock and roll world have felt for years that electronic music had no soul, but now electronic music can not only have soul but have all the shapes in the world.