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The best characters to play are the ones who have deep internal conflict.
There's only a handful of directors who really understand what I call the alchemical balance between a man and a woman, in a woman's body, which most people consider the strong woman character.
People love to talk about how the '70s are the only time they made movies about characters, and adult movies, and complicated people. But in the '80s, they got away with some of those too.
Character is not cut in marble - it is not something solid and unalterable. It is something living and changing, and may become diseased as our bodies do.
There is a technical, literary term for those who mistake the opinions and beliefs of characters in a novel for those of the author. The term is 'idiot'.
I don’t get into these long-winded heavy discussions about character - do we do this or that or what. At the end of the day, what you gotta do is just go out there and do it.
For me, pressure is self-imposed, and it's good for me. The best actors are the most prepared because it's all imaginary and you have to know the character inside out.
I can only play characters that I feel like are real people and in a complete way and in such a whole way that if I fake any aspect of it I will have failed them and literally they're slaughtered.
I do love that witches havent really been explored that much. Usually, witches are the little side character... a bad female character that comes in and leaves.
Given the loss of a child or the birth of a child or anything like that, I think it's just I'm more moved by life, the older I get, so it's easier to connect to the characters that I play.
The core of character lies in each individual story person's ability to care about something; to feel implicitly or explicitly that something is important.
For me and my storytelling and the way that I embrace stories in the way that I embrace characters, I desperately needed to know that everything was okay.
It is the creator of fiction's point of view; it is the character who interests him. Sometimes he wants to convince the reader that the story he is telling is as interesting as universal history.
We have gotten away from this double aspect of either putting the character back into historical events or of making a historical event of his very life.
A cartoon character isn't a specific person. It isn't Tom Cruise or George Clooney playing the part, it's a character that could be you. It's easier for you to get drawn into it in a special way.