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Like anything, you've gotta find the humanity in the characters.
Parents look at me like I'm somebody pretty important, and say, We were raised on your characters, and now we're enjoying them all over again with our children.
The "little theme" from Vinteuil, heard by Swann as emblematic of his love for Odette, remains a point of reference for him, as the character of that love changes and as the love eventually fades.
I like to think what I bring to the table is kind of a sympathetic and endearing quality, even while I'm playing outcasts or characters that end up in outlandish situations.
Reduced to its lowest terms, the great struggle which now rocks the whole earth more and more takes on the character of a struggle of the individual versus the state.
That's true, you don't want to let anybody down and here are millions of people who've been waiting for their favorite characters to be brought to life and you don't want to disappoint.
Also, I do not like the companionship of women. They are petty and personal. They hang on to their mysteries and secrets, they act and pretend. I like the character of men better.
I find all of my performances come down to mathematics in a sense - how do you approach the problem of this character? Sometimes I crack that problem, sometimes I don't.
I guess you can stay sort of true to the story; you don't have to artificially bring the character back from whatever doom you've designed for them, you can tell the story, I suppose, honestly.
One of the most important lessons that experience teaches is that, on the whole, success depends more upon character than upon either intellect or fortune.
It amazes me that filmmakers will still film, and audiences will still watch, relationships so bankrupt of human feeling that the characters could be reading dialogue written by a computer.
It was important to have a similar energy in my performance. To make the character too different would have just been about my ego because it didn't need to be drastically different.
Preacher is a book that somehow allows me time by its settling on it's characters, that sort of modern gothic western feel. You're not likely to see the boat veering too far from that.
The success of those doctrines would also subvert the Federal Constitution, change the character of the Federal Government, and destroy our rights in respect to slavery.
Why has Scandinavia been producing such good thrillers? Maybe because their filmmakers can't afford millions for CGI and must rely on cheaper elements like, you know, stories and characters.
I always collect a bunch of images for every film that I do, that reminds me of an essence of the character, or the time that they live in, or what they're experiencing.
I was molded, spent my time underneath a lot of goo. And then the bits and pieces were sculpted. It took probably 10 days to create each character after all those camera tests.
I think Hellblazer is quite unique. In a comic world dominated by American characters (nothing wrong with that per se) Constantine was unashamedly British. A certain kind of miserablist British
Normally you read a screenplay - and I read a lot of them - and the characters don't feel like people. They feel like plot devices or cliches or stereotypes.
As all curves have reference to their centres or foci, so all beauty of character has reference to the soul, and is a graceful gesture of recognition or waving of the body toward it.
The Goth character was a difficult thing to get my head round. I'm not really a fan of Goth music. I'm more a piano and guitar man - that's what I love.
Once upon a time there was a widow who had two daughters. The elder was so much like her, both in looks and character, that whoever saw the daughter saw the mother.
I've always had this juxtaposition of characters, because I'm an artist. I'm a very quiet person at home and introspective and the whole deal, and then I can be really big later. I had no problem.
Do you think that a man is renewed by God's Spirit, when except for a few religious phrases, and a little more outside respectability, he is just the old man, the same character at heart he ever was?
... the only argument against vivisection that will be seen to have lasting power - that we do not improve human society by means that debase human character.
I like movies about people and movies with characters; that's what I'm drawn to as a person who likes to create these characters within the story, but I like it all, really.
Quite often my narrator or protagonist may be a man, but I'm not sure he's the more interesting character, or if the more complex character isn't the woman.