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I think the education I've had as an actor I would never have had at university.
I'm a journeyman actor. My experience as a journeyman actor is that you have to go where the work is. I've never been the lead; I've never been in that position.
As actors, we're always asked to portray and react to these extreme circumstances, otherwise it's not interesting. They are agonizing things to think about.
To be an actor, a lot of times it's a strange combination of high confidence and low self-esteem. Which is a weird combination to have, but I think it's sort of very common among actors.
You don't go to Berkeley to become an actor. In fact, I don't think you go to any school to become an actor. You've just sort of got to go out there and act.
If they're willing to pay you what you think you're worth for it, that's why an actor goes to work. A lot of times they want to pay you a lot for a picture you don't want to do.
It's not easy making money as an actor. It's just not an easy thing to do. There's so many that want to do it and so few opportunities to do it that it's not as easy as it would seem.
From the time I became an actor my whole approach was to try to do as many different things as possible. It never occurred to me that I might be typecast.
Perhaps teachers must be good actors where lessons are concerned, but in life outside the class, we mustn't hide from our pupils our individual spirits.
We start with a rehearsal where the actors kind of bring what they think should be in the scene. But we film everything, and we use cuts of this first take, also.
I knew you had to go in and audition and maybe they'd hire you, and that's where you start. I had a good understanding about press: that it's the actor's responsibility to publicize his or her films.
I love actors, regardless of where they are in their skill level. There's something terribly satisfying about working with someone who's really learning.
What I hope in my ideal world is that with each project, I'll either get to work with a really great script that would force me to grow, or work with a really great actor who will make me better.
How long an actress lives professionally depends on her stamina, the extent of her masochism, her imagination, and her yearning for recognition or approval.
As actors we always say that once the person in a scene gets what they want, the scene is over. It's resolved. But life is never resolved - you're always in the process.