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Less so here, I’ve noticed. I can see why there’s a misconception that it’s easier when your parents are actors, but it doesn’t work out at all. In fact, it’s the reverse.
I think when average-size people start taking roles that were meant for dwarfs, that's a little frustrating because there aren't that many roles out there for height-challenged actors.
Someone's going to put the clothes on you, and part of being an actor is wearing costumes. Costumes tell you an awful lot about who you are, so you just, it's nothing.
Believe me, you can be in the middle of a beautiful take and the next thing you know you're awash in people crossing the street. You can't even find your actors.
It seems to me that I never grow unless I'm actually working with other actors who have shed whatever shell it is that keeps them insulated from each other.
I'm constantly intimidated by Shakespeare's work. Trying to decipher what he's saying and holding on to that thought - not just as an actor, but as a human being - is a rigour.
Sometimes you look at a movie and you can see that the actor or actress said, 'I'm taking this onboard because I'm making a ton of money, and not because it's going to be something special.'
I know the responsibility that entails from telling a story. The one thing I despise the most is when I go to a movie and I see a whole bunch of lazy actors making me waste my time and money.
I can't complain. I'm making a living out of what I do, which is really rare for a lot of actors. The hard part is staying confident and staying with it.
I love Woody Allen. He's very clever, always thinking, and he's great with actors. He lets actors do what they want to do and occasionally he'll give them a specific kind of direction.
I have seen no men in life loving their profession so much as painters, except, perhaps, actors, who, when not engaged themselves, always go to the play.
My goal is to work. That's the goal of most actors or performers: to work and keep working, and do the best you can, and keep growing and changing, trying to improve your craft.
I like to write for actors I know and with whom I've worked before. You can write to their strengths and weaknesses and write roles that are better suited to them.