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I'm really shy with my acting when it's off, because the camera gives me an excuse to be in character, whereas otherwise I would just feel like an idiot.
I enjoy so many different art forms; I don't just want to focus on acting. I love music. I love writing stories. And you need solitude to figure out your next step.
I started acting in second grade - my first role was in the Thanksgiving play. I was the Indian chasing the turkey. All the other mom's encouraged my mom to get me into acting after that.
Then in college, besides economics, I also majored in studio art and got involved in photography and making short films and acting. But I didn't know you could make a living that way.
One of the great pleasures of acting is surrendering to someone else's point of view of the world - living inside a character and a story that never would have come out of your mind or heart.
In all American professional sports you start on a certain level and you have to work your way up through a farm system. It's really the same in acting.
Everybody understands that acting is a really difficult job. It's hard work. You've got to get dressed up, you've got to hang around with beautiful women. It's difficult. It's a problem.
What used to frustrate me going into an audition was that some inexperienced, lesser casting people would think that actors are acting only when they're speaking.
Even the best Christian that ever lived is not acting on his own steam--he is only nourishing or protecting a life he could never have acquired by his own efforts.
I never thought acting would be my life. I only started doing it because I needed something to occupy my weekends after I dislocated my knee and couldn't play sport.
Acting forces you to ask yourself, 'Can my constitution take a decade of constant rejection?' And after ten years, you either make it or you don't. And the problem is they don't tell you in advance.
I was not seduced by the celebrity side of acting. However, as a British girl watching a lot of American TV, I saw that there was a whole world of opportunity in the States that I wanted to discover.
My major intention for coming to Hollywood - besides the fact that I was just enamored with acting from a very young age - was that I was tired of seeing wimpy Asian actors.
The power and depth of Japanese acting certainly inspired me, so I was determined that Hollywood was going to get a taste of that, that Americans were going to get a taste of Japanese action.
I was your typical struggling actress. I went to every audition, took a million acting, dancing and singing lessons and spent years wondering where my next meal was coming from.
I started improvisation at age nine, and I loved it so much I stuck with it. As a by-product, acting was just something I was lucky enough to fall into.
It's part of my job. You can't play Veronica Guerin sounding like this. It just wouldn't wash. But what I find fascinating about doing an accent - unless it's a farce - is that it's not slapped on.