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From my first dunk at 14 years old to my second NCAA Championship at the University of Tennessee, my intense training with my dad was always to credit.
I think the last couple of years of life for many, many people are the same as they were 50, 60, 70 years ago. They could be really tough because of infirmity.
When I was just five years old, I loved the scary layer and the symbolical power of the red cloak. I made my mom make me that red cloak, and I had to wear it on Halloween, two years in a row.
If we put a product into Sears, we don't want to have to pull it out in a year, or two years, or three years. We don't want to do that only to have it yanked away.
When I went to film school about three years ago, the first two years you're required to make a series of short films. I started making films based on short poems.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
Fiction that responds to recent world events is a hostage to fortune because all momentous events look very different a year, two years, three years later.
I was married in my 30s, in a long relationship for about seven years, got divorced, and then I had a string of flings, and then was single for two years.
One of the penalties of being president of the United States is that you must subsist for four years without drinking anything except Californian wine.
I actually had less time and the exact same budget on Hairspray, which was few years ago and this is a much bigger movie [then Rock of Ages]. That's the way studios do it now.
One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
I waited for each film to become important for me. If I had no ideas for a film, I didn't do a film. So I made not that many films for fifty-four years of working.
Speaking from my own religious tradition in this Christmas season, 2,000 years ago a homeless woman gave birth to a homeless child in a manger because the inn was full.
Everything changes with age. The parts change with age, your feelings about them change, roles that I would've wanted to play 10 years ago, I don't want to play now.
One of the hardest things I've had to deal with in my career is keeping my material topical even though I only release albums every three or four years.
I probably won't be able to hear it until five years from now anyway. That's when I always hear my own music. It takes five years to sit down with it after not hearing it for a couple of years.
I feel like myself and the city of Cleveland are in the same boat. We're made for each other. A few years ago, everybody had bad thoughts on Albert Belle. I feel that has changed.
I had four years of auditions, and nothing happened, until Francis Ford Coppola took a shot on me ['Tetro' in 2009]. I hadn't done a film, and suddenly I was the lead.
When Tetro came out, I met with Warren Beatty for the first time. I had, like, a four-and-a-half-hour lunch with him, and then over the next five years continued to meet with him and go to his house.
Are you more likely to tolerate drivel than you were four years ago? I think the answer is yes. Four years of Reagan has deadenedthe senses against a barrage of uninterrupted nonsense.
I was at the tail end of the family. The next brother along was already seven years older than me. I remember growing up by myself, playing games by myself.
I'm very secretive. I'll write a whole novel and revise it, which might take me two years or more, and the people I know best don't know what I'm writing about.
Everything's possible when you're seven years old." She sighed. "But then you hit an age where you decide it's cooler not to believe in anything at all. [...] It's called being grown-up.