Toni Cade Bambara Quotes

The role of the artist is to make the revolution irresistible

Words are to be taken seriously. I try to take seriously acts of language. Words set things in motion. I've seen them doing it. Words set up atmospheres, electrical fields, charges.

(M)aybe we too busy being flowers or fairies or strawberries instead of something honest and worthy of respect . . . you know . . . like being people.

Revolution begins with the self, in the self.... We'd better take the time to fashion revolutionary selves, revolutionary lives, revolutionary relationships. Mouth don't win the war.

Writing is a legitimate way, an important way, to participate in the empowerment of the community that names me.

TAKE HEART TO FLAT OUT DECIDE TO BE WELL AND STRIDE INTO THE FUTURE, SANE AND WHOLE

The only proper mask to wear in life is your own damn face.

When you dream, you dialogue with aspects of yourself that normally are not with you in the daytime and you discover that you know a great deal more than you thought you did.

The job of the writer is to make revolution irresistible.

Write a lot and hit the streets. A writer who doesn't keep up with what's out there ain't gonna be out there.

Writing is one of the ways I participate in transformation.

Revolution begins with the self, in the self.

She [my mother] gave me permission to wonder, to dawdle, to daydream.

The dream is real, my friends. The failure to make it work is the unreality.

My responsibility to myself, my neighbors, my family and the human family is to try to tell the truth.

Reappraise the past, re-evaluate where we've been, clarify where we are, and predict or anticipate where we are headed. . . .

Take away the miseries and you take away some folks' reason for living.

Our lives preserved. How it was; and how it be. Passing it along in the relay. That is what I work to do: to produce stories that save our lives.

When we ever invited the beast to dinner he didn't come in and swipe the napkins and start taking notes on the tablecloth 'bout how to take over the whole house?

Old folks are the nation.

All writers, musicians, artists, choreographers/dancers, etc., work with the stuff of their experiences. It's the translation of it, the conversion of it, the shaping of it that makes for the drama.

What can defeat greed, technological superiority, and legal lawlessness ... is discipline, consciousness, and unity.

An artist represents an oppressed people and makes revolution irresistible.

What is happening to the daughters of the yam? Seem like they just don't know how to draw up the powers from the deep like before. Not full sunned and sweet anymore.

I've never been convinced that experience is linear, circular, or even random. It just is. I try to put it in some kind of order to extract meaning from it, to bring meaning to it.

One monkey don't stop no show. Not one, not six. The struggle continues.

And what is religion, you might ask. It's a technology of living.

People have to be given permission to write, and they have to be given space to breathe and stumble. They have to be given time to develop and to reveal what they can do.

We have not been scuffling in this waste - howling wilderness for the right to be stupid. All this waste.

It's a dismally lonely business, writing.

Medication without explanation is obscene.

There are times ... when any visitor - in person, by phone, by mail - is an intruder, a burglar, a space hogger, an oxygen taker, a chaos maker, a conflict inducer, a mood chaser, and a total drag.

I try to live [the Golden Rule] and I certainly expect it of some particular others. But I'll be damned if I want most folk out there to do unto me what they do unto themselves.

The story is a piece of work. The novel is a way of life.

Not all speed is movement.

old folks is the nation.

Words are to be taken seriously. I try to take seriously acts of language. Words set things in motion.

The most effective way to do it is to do it.

The dream is real my friends. The failure to realize it is the only reality.

Our lives preserved. How it was and how it will be. Passing it along in the relay. That is what I work to do: to produce stories that save our lives.

Reappraise the past reevaluate where we've been clarify where we are and predict or anticipate where we are headed.