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The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
I don't have much time for shopping so I pick things up when I can. My favorite labels are APC, Isabel Marant and Agnes B because the clothes are cut small and have a simplicity to them.
It can be very intense being an actor; it can be quite a small world. Then you speak to your friend who is a scientist and they have a completely different perspective.
[In "The Invisible Woman"] was a different type of performance which was less driven by improv. You always want moments of freshness and newness, but there was less so than I've done before.
There are no ultimate ends. Only games and more games. The winner this round is the loser the next round. Only the game is eternal. And the game is always the same, if you never change the rules.
I remember my mum saying to me, 'You can give up the violin - when you've done Grade 8.' Which is the highest grade, and the most unfair target ever. So I did all the grades, just to annoy her.
I'm still shocked every time I see snow. The first bit of snow each year... I stay up and I watch it. And then I go out and pick it up and eat it and move around in it.