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Rachel Kushner, The Flamethrowers Quotes

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Rachel Kushner, The Flamethrowers Quotes: "I’d been listening to men talk since I arrived in New York City. That’s what men like to do. Talk. Profess like experts. When one finally came along who didn’t say much, I listened."

I’d been listening to men talk since I arrived in New York City. That’s what men like to do. Talk. Profess like experts. When one finally came along who didn’t say much, I listened.



Rachel Kushner, The Flamethrowers Quotes: "A funny thing about women and machines: the combination made men curious. They seemed to think it had something to do with them."

A funny thing about women and machines: the combination made men curious. They seemed to think it had something to do with them.




Rachel Kushner, The Flamethrowers Quotes: "If your parents died suddenly, Sandro understood, your home was wherever you were, and now you were from nowhere. Your parents were your provenance. Dead, you had no provenance."

If your parents died suddenly, Sandro understood, your home was wherever you were, and now you were from nowhere. Your parents were your provenance. Dead, you had no provenance.



Rachel Kushner, The Flamethrowers Quotes: "What happens slowly carries in each part the possibility of returning to what came before. In an accident everything is simultaneous, sudden, irreversible. It means this: no going back."

What happens slowly carries in each part the possibility of returning to what came before. In an accident everything is simultaneous, sudden, irreversible. It means this: no going back.




Rachel Kushner, The Flamethrowers Quotes: "A forced contemplation of the heavens, crisp and angelic blue, a classic prelude to death."

A forced contemplation of the heavens, crisp and angelic blue, a classic prelude to death.



Rachel Kushner, The Flamethrowers Quotes: "Gloria was still talking, something about how shooting people was in a sense safer than making art, in terms of avoiding serious lapses in taste."

Gloria was still talking, something about how shooting people was in a sense safer than making art, in terms of avoiding serious lapses in taste.